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Gatcum Chris: Complete Photography

Complete Photography

The Beginner's Guide to Taking Great Photos

A photographic collection that celebrates the tranquility of winter and the ingenuity of vernacular architecture. From a clear, straight-on vantage point and with a pictorial formality echoing the work of documentary photography pioneers Bernd and Hilla Becher, Richard Johnson (1957–2021) spent more than a decade recording and categorizing visual typologies of small, hand-built structures across Canada. His largest and most celebrated collection of photographs documents ice huts used for fishing across the frozen lakes, bays, and rivers. These huts must be weather-resistant and transportable, giving basic shelter around the opening to the water below. Johnson’s photographs reveal the functional and aesthetic similarities and differences of what he called “renegade architecture”—a form verging on a vernacular folk art tradition. Later in his life, Johnson began documenting Newfoundland’s ubiquitous, earthen-built root cellars. To Johnson, the cellars were place-specific oddities; efficiently constructed and curiously anthropomorphic. They also fit conceptually into his lifelong fascination with small structures built out of necessity and usually by hand. More than 200 photographs from these series are complemented by texts from acclaimed photographer and filmmaker Edward Burtynsky and curator Tom Smart that contextualize Johnson’s photographs and place his work among the contemporary disciples of the Bechers' Düsseldorf School. A personal text by Johnson’s long-time partner, Lucie Bergeron-Johnson, provides an intimate portrait of the artist, and chronicles his journey to the discovery of his subject matter and the development of his signature style.

Resilience-Ice Huts and Root Cellars (20072021)

Richard Johnson

How to Master the Moment

The Art of Street Photography

WHAT IS THE FUTURE OF THE IMAGE IN THE AGE OF CLIMATE CHANGE AND ARTIFICIAL INTELLIGENCE?

Images in The Age of Heat

Medium Hot

The Photography Workshop Series

In the seventh installment of The Photography Workshop Series, Catherine Opie--well known for dynamic portraits and landscapes that speak to identity and community--offers insight into creating photographs that navigate the contemporary landscape, as well as the landscape of the body and constructed identity. Aperture Foundation works with the world's top photographers to distill their creative approaches to, teachings on, and insights into photography--offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, in this volume Catherine Opie shares her creative process and discusses a wide range of issues, from representing subcultures and marginalized communities, to making confrontational work that reimagines and subverts expectations.

Catherine Opie: The Photography Workshop Series

52 Assignments

52 Assignments: Night Photography is a year's worth of inspiring weekly assignments to kick-start your creativity.

52 Assignments: Night Photography

Learn in a Weekend

A no-nonsense beginner's guide to cyanotype: make your own beautiful prints and craft projects in just a weekend. One of the simplest and most elegant forms of photography, the cyanotype print gives distinctive white-on-blue results that are simultaneously graphic, intricate and mysterious. Drawing on Victoria Glover's experience running workshops for beginners, this book will walk you through the process and presents a selection of projects for you to develop your skills. You'll learn how to print onto a cushion cover, T-shirt, tote bag and lampshade. And you can take your creativity further, toning your prints and using long exposures to create surprising X-ray effects.

Cyanotype

Victoria, Photography, and the Social Imagination

The Modern Dream of Order

Mastering

Mastering Street Photography

Routledge Library Editions: Broadcasting

A Director's Method for Film and Television (1992) presents the 'cinematic language' approach to directing for film and television directors. It shows how the viewer perceives the nuances of the various pictures used to tell the story, and how movement within the frame creates drama and development.

A Director's Method for Film and Television

Tiny Nature&nbsp;is a journey into the hidden world of the forest floor through the captivating lens of macrophotography.

Discovering Nature's Hidden World Through the Lens of Macrophotography

Tiny Nature

In this volume of The Photography Workshop Series, Vik Muniz-known for his playful pictures that complicate what is understood as a photograph, sculpture, and painting-offers his insight into thinking creatively and seeing the familiar in new and surprising ways. Aperture works with the world's top photographers to distill their creative approaches, teachings, and insights on photography-offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, Muniz shares his creative practice and artistic inspirations, and discusses a wide range of topics, from generating ideas and creating images that challenge viewers' perceptions, to collaboration, imperfection, and the interplay of subject, scale, and material.

Vik Muniz on Photography, Mind, and Matter

Scalability and its Limits in Photography and (Digital) Sculpture

Complete Photography

Informations bibliographiques

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Informations bibliographiques

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