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Delehanty S: Company Men

Company Men

The Invention of Shareholder Value and the Splintering of the American Economy

The Battle That Turned World War II in the East

Burma '44

A Jewish Story of Survival in 1940s France

Ninette's War

This book examines 'womanhood' and 'race' not only as disputed, converging, and constantly changing categories and lived experiences, but also as interrelated and unequal subjectivities and social realties that shaped all early-twentieth century Puerto Ricans. It empirically documents just how significantly 'womanhood' and 'race' were inextricably intertwined in Puerto Rico between 1914 and 1945, a decisive period in U.S. expansionism and in the transformation of this island. Through a comparative analysis and description of specific subjects in early-twentieth century Puerto Rico—mostly Puerto Ricans from different races and social classes, but also some North Americans as well—the book demonstrates the extent to which 'womanhood' and 'race' are a more thorny, volatile, and unstable than is commonly acknowledged within Women’s History and Caribbean Studies. This is the first book that examines the relationships between women in Puerto Rico from divergent social classes and racialized positions by mostly focusing on the socioeconomic and racial inequalities among colonized women in Puerto Rico. This is in marked contrast with most Women’s History globally which mainly concentrates either on the lives of elite women or, at best, on the unequal relationships between colonizer- and/or European-descended women vis-à-vis colonized- and/or non-white women. In this book 'womanhood' and 'race' are not seen as separate, nor as already given, historically and culturally immutable 'things.’ Those are some of the lacunae this book transcends, primarily in the case of white-Creole women relative to non-white Island women and the images socially constructed of them in Puerto Rico, as well as for racially located Puerto Ricans more broadly. Within this context, the book enables a different reading of already known documents while demonstrating the importance of examining unused or forgotten bibliographical sources, some of them previously untranslated.Gladys M. Jiménez-Muñoz is an Associate Professor at the Sociology Department at Binghamton University-SUNY.&nbsp;

Labile Bodies, Colonial Disparities

Womanhood and Race in Interwar Puerto Rico

You'll laugh, you'll scream, you'll never look at a spider the same way again

How to Survive Camping: The Lady in Chains: Volume 2

Feminist Lessons From Five Revolutionary Women

Red Valkyries

Blazing Light&nbsp;is&nbsp;published to coincide with Mimi Plumb’s first solo museum exhibition of the same name (High Museum of Art, Atlanta, Georgia) and brings together three of her major bodies of work—The White Sky, Landfall and The Golden City,&nbsp;and&nbsp;The Reservoir—that collectively contemplate the anxieties of American life in the waning years of the Cold War and its aftermath. In the 1970s, Plumb began photographing as a teenager in the San Francisco suburb of Walnut Creek at a time marked by rapid development of the land coupled with global political and economic instability. Her early artistic life was defined by a burgeoning awareness of global warming, the AIDS epidemic, violent conflict in Latin America and the Middle East, and a looming threat of nuclear war. This atmosphere attuned Plumb to the evidence of such forces in the land, the built environment, and the ways people carry themselves and relate to one another—concerns that continue to abide in her work to this day. Plumb’s photographs foreground the presence of people, lending her images a greater degree of pathos and even notes of humorous absurdity. Though the artist embraces realism, her photographs are more ambient and enigmatic, inviting conjecture rather than providing documentary information. The publication will include texts by Gregory Harris, curator of the exhibition; Karen Irvine, chief curator and deputy director at the Museum of Contemporary Photography, Chicago, IL; and Lauren Richman, curator of photography at the Norton Museum of Art, West Palm Beach, FL. Plumb's work is held in numerous public collections, including the High Museum of Art (GA), San Francisco Museum of Modern Art (CA), Los Angeles County Museum of Art (CA), Museum of Fine Arts Boston (MA), Yale University Art Gallery (CT), and the Deutsche Börse Collection (Germany). The&nbsp;Mimi Plumb: Blazing Light&nbsp;exhibition will be on view at the High Museum of Art from February 6-May 5, 2026. The exhibition will then travel to the Johnson Museum at Cornell University, NY (summer 2026), the Norton Museum of Art in West Palm Beach, FL (winter 2026/2027), followed by the Museum of Contemporary Photography in Chicago, IL (spring 2027).

Mimi Plumb: Blazing Light

Durable and waterproof, with a handy slipcase and an easy-fold format, Lonely Planet's San Francisco City Map is your conveniently sized passport to travelling with ease. With this easy-to-use, full-colour navigation tool in your back pocket, you can truly get to the heart of San Francisco, so begin your journey now!

Lonely Planet San Francisco City Map

The USAAF in North Africa and Sicily

Turning The Tide

Behind Sunset

The Human-Centric Leader

SOAS Studies in Modern and Contemporary Japan

The Translocal Island of Okinawa reveals the underrepresented memories, visions and actions that are involved in the making of Okinawan resistance against its subordinated status under the US-Japan security system beyond the narrowly defined political, cultural and geographical borders of locality. As Okinawa's base politics is a problem deeply rooted in the context of East Asia, so is the history of the people's protest movement. The issue examined in this book is the arbitrary distinction of scale between 'local', which tends to be employed for a particular territory demarcated by a cohesive culture, and 'regional', a larger area that consists of myriad localities. Locality, Shinnosuke Takahashi here argues, is neither self-evident, fixed nor homogenous but is established through historical processes that involve interaction, conflict and negotiation of individuals and communities across territorial and cultural boundaries. This book reveals the novel concept of Okinawa as a translocal island which offers a way to understand locality in the context of Okinawan activism as a product of multiple cultural and human flows, as opposed to the conventional way of framing the local community as fixed, internally cohesive and rigidly bordered. It makes an exciting contribution to the field of modern Japanese and East Asian studies by stimulating discussions on the richness and scale of local civic activism that is increasingly becoming a key political feature of the East Asian region.

Anti-Base Activism and Grassroots Regionalism

The Translocal Island of Okinawa

Winner of the 2024 National Book Critics Circle Award in Nonfiction • Winner of the 2024 Kirkus Nonfiction Prize • Shortlisted for the 2025 Andrew Carnegie Medal for Excellence in Nonfiction • A New York Times Notable Book of 2024 NEW YORK TIMES BESTSELLER • “Stunning…A heart-pounding thriller…Challenger is a remarkable book.” —The Atlantic • “Devastating…A universal story that transcends time.” —The New York Times • “Dramatic…a moving narrative.” —The Wall Street Journal From the New York Times bestselling author of Midnight in Chernobyl comes the definitive, “compelling, and exhaustively researched” (The Washington Post) minute-by-minute account of the Challenger disaster, based on fascinating and new archival research—a riveting history that reads like a thriller. On January 28, 1986, just seventy-three seconds into flight, the space shuttle Challenger broke apart over the Atlantic Ocean, killing all seven people on board. Millions of Americans witnessed the tragic deaths of the crew, which included New Hampshire schoolteacher Christa McAuliffe. Like the assassination of JFK, the Challenger disaster is a defining moment in 20th-century history—one that forever changed the way America thought of itself and its optimistic view of the future. Yet the full story of what happened, and why, has never been told. Based on extensive archival research and metic­ulous, original reporting, Challenger: A True Story of Heroism and Disaster on the Edge of Space follows a handful of central protagonists—including each of the seven members of the doomed crew—through the years leading up to the accident, and offers a detailed account of the tragedy itself and the inves­tigation afterward. It’s a compelling tale of ambition and ingenuity undermined by political cynicism and cost-cutting in the interests of burnishing national prestige; of hubris and heroism; and of an investigation driven by leakers and whistleblowers determined to bring the truth to light. Throughout, there are the ominous warning signs of a tragedy to come, recognized but then ignored, and later hidden from the public. Higginbotham reveals the history of the shuttle program and the lives of men and women whose stories have been overshadowed by the disaster, as well as the designers, engineers, and test pilots who struggled against the odds to get the first shuttle into space. A masterful blend of riveting human drama and fascinating and absorbing science, Challenger identifies a turning point in history—and brings to life an even more complex and astonishing story than we remember.

A True Story of Heroism and Disaster on the Edge of Space

Challenger

Company Men

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