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Chávez Heras D: Cinema and Machine
Vision

Cinema and Machine Vision

Artificial Intelligence, Aesthetics and Spectatorship

This book discusses all the points of an AI-Oriented Competency Framework which includes predictive analytics, advisory services, predictive maintenance, and automated processes, which help to make the operations of project management, personnel management, or administration more efficient, profitable, and safe.

Models, Technologies, Applications, and Implementation

AI-Oriented Competency Framework for Talent Management in the Digital Economy

Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism. Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism's portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread,&nbsp;Mercury Rising, and Life Animated and in television and streaming programs including Atypical, The Bridge, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and "quirky" autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions.

On the Island

Autism in Film and Television

Strategies for Thriving in the Age of Innovation and Disruption

Navigating Digital Transformation and Leading Change

The Law of Digital Content

Coming soon, the firsthand account of a studio insider's adventures in movie marketing

An Insider's Look at Marketing Hollywood's Hits and Flops

Opening Weekend

Cutaways

"Beugnet's ingenious insights seep like a fog into once-crisp categories of film analysis, unsettling notions of blur as visual deficiency. Near-sighted characters, formless smudges, teary and weary vision, and perspectival and atmospheric distortions energize this compelling love song to the affordances of and cinematic predisposition toward visual chaos, vagueness, uncertainty and confusion. Clearly, it's the perfect moment for both cinema and blur."--Karen Redrobe, author of Crash: Cinema and the Politics of Speed and Stasis In cinema, blurriness is usually intended to go unnoticed. When it appears it is either considered an error -- a mistake of focus or a technological failure -- or a background effect of shallow focus intended to offset a defined image. As Martine Beugnet argues, however, blur is an essential feature of the cinema, possessing its own properties and affordances, and capable of powerful effects. Examining an array of notable examples of blurriness from horror to art cinema and experimental film, and including the works of the Lumière brothers, Josef von Sternberg, Agnès Varda and many others, she develops a taxonomy of blurs, from speed and motion blur to the hand-held, "shaky camera" blur common in contemporary digital cinema. These wide-ranging instances all return the viewer to the sensorial and material qualities of the moving image. In the face of technological developments that valorize sharpness as an indicator of progress, blur stands as a provocative reminder of the value of uncertainty--a sign of the irreducible mystery at the heart of the filmic image. Martine Beugnet is Professor in Visual Studies at the Université Paris Cité and a member of ECHELLES, a CNRS research institute.

Blur

There is a quiet revolution reshaping daily life, not in labs, but in classrooms, boardrooms, and living rooms. Without fanfare, a third form of intelligence has arrived. It does not breathe, yet it responds. It does not feel, yet it adapts. It does not sleep, yet it learns.Your Third Brain: Powering a Future of Unimagined Possibilities reveals the rise of human–machine co-intelligence. It is not artificial, not purely human, but an emergent partnership. Rather than replacing people, it is entwining with them. Drawing on decades of cultural research and storytelling, Jack Myers offers a clear framework to engage this shift with empathy, imagination, and practical discipline.From leadership and learning to identity and creativity, Your Third Brain shows how relationships, organizations, and communities are being rewritten in real time and how to participate with integrity. The book challenges executives, educators, parents, and creators to treat the convergence of human and machine as an opportunity to redefine what it means to be capable, connected, and wise.&nbsp;Visionary yet pragmatic, poetic yet actionable, Your Third Brain functions as both manifesto and toolkit. It introduces practices for trust, humility, emotional fluency, and ethical decision-making, skills that will shape the world the next generation inherits.The choice is here. The urgent question is not what AI will become, but what people will become as they evolve with it.

Powering a Future of Unimagined Possibilities

Your Third Brain

Go behind the scenes of Dreamworks Animation's first live-action animation hybrid film.DreamWorks Animation brings its global smash streaming series Gabby's Dollhouse to the big screen. The Art &amp; Making of DreamWorks Gabby's Dollhouse: The Movie showcases never-before-seen production art, insider perspectives, and the elaborate artistry involved in making the live-action/animation cinematic adventure. Join Gabby and her irresistible Gabby Cats as they venture through the real world and their magical mini-world to save the dollhouse before it's too late. Includes: ¿ Foreword by singer, songwriter, actress, and author Gloria Estefan, who plays Grandma Gigi ¿ Preface by actress Laila Lockhart Kraner, who reprises her role of Gabby from the Netflix television series ¿ Hundreds of character designs, concept art, sketches, storyboards, color keys, and final frames from the making of the movie ¿ Exclusive interviews with the artists, filmmakers, and key creators

The Art & Making of DreamWorks Gabby's Dollhouse: The Movie

From the New York Times bestselling authors of Abundance, Bold, and The Future Is Faster Than You Think comes a bold exploration of what it means to stay human in a world where technology has granted us godlike power. In 1968, Stewart Brand declared: “We are as gods—and we might as well get good at it.” Half a century later, that prophecy has come true. We can rewrite genes, edit embryos, build artificial minds, extend life, and terraform worlds. The old miracles—omniscience, omnipresence, even resurrection—are becoming standard operating procedure. But the real question isn’t whether humanity can play god. It’s whether we can do it wisely. In We Are as Gods: A Survival Guide for the Age of Abundance, Peter H. Diamandis and Steven Kotler—bestselling authors of Abundance and Bold—return with a sweeping exploration of our species’ next great transformation. Blending hard science with vivid storytelling, they chart humanity’s ascent from scarcity to superabundance—and the psychological, ethical, and existential challenges that come with it. Across breakthroughs in AI, robotics, genetics, longevity, and consciousness research, they reveal a paradox at the heart of progress: as our external power expands, our inner resilience must evolve to match. Abundance without meaning leads to collapse. Intelligence without wisdom leads to extinction. To thrive in a world of everything, everywhere, all the time, we must learn to wield our godlike powers with humility, creativity, and flow. Equal parts warning and invitation, We Are as Gods is a map for flourishing in the exponential century. Because the future won’t be built by those who fear what’s coming, but by those who know how to turn chaos into creation. Abundance is here. Are you ready?

A Survival Guide for the Age of Abundance

We Are as Gods

Memory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected works that range from narrative film and documentary to experimental video and digital media (even including a multimedia avant-garde play), this book presents a provocative portrait of the independent filmmakers as a peculiarly pained yet active group of historical subjects of the transitional, post-socialist era. Through a connected investigation of cultural and cinematic concepts including historical consciousness, personal memory, narrative, performance, subjectivity, spatiality, and the body, Wang weaves a critical narrative of the formation of a unique post-socialist cultural consciousness that enables independent cinema and media to become a highly significant and effective conduit for historical thinking in contemporary China. Covering directors such as Zhang Yimou, Chen Kaige, Jia Zhangke, Jiang Wen, Lou Ye, Meng Jinghui, Wang Bing, Wang Guangli, Duan Jinchuan, Cui Zi'en, Shi Tou, and Tang Danhong, this book is essential reading for all students and scholars in Chinese film.

Memory, Subjectivity and Independent Chinese Cinema

Who makes films and television shows? How do those people make a living in Hollywood? Hollywood Unions tells the stories of the unions and guilds that have organized and negotiate on behalf of motion picture and television labor: the DGA, IATSE, SAG-AFTRA, and WGA.

Hollywood Unions

Artificial Humanities explores how literature, history, and art can deepen our understanding of artificial intelligence and its development. By examining fictional representations of AI in parallel with actual technological developments, Nina Begus presents a novel interdisciplinary framework for understanding the cultural, philosophical, and ethical dimensions of AI. She traces connections from Eliza Doolittle to ELIZA the chatbot and current language models, incorporates Slavic fictional examples from the Pygmalion paradigm, and compares mid-century science fiction and recent Hollywood films with contemporary developments in social robotics and virtual beings. Highlighting the impact of human-like AI design, from gendered virtual assistants to romanticized social robots, the book shows how these technologies intersect with longstanding humanistic questions about the concepts of creativity and language as well as the relations between humans and machines. Additionally, the book explores AI's applications in medical fields, particularly psychiatry and neurotechnology, including how AI interacts with the human body and mind to address conditions like paralysis. By emphasizing the philosophical and cultural implications of these technologies, Begus highlights the need for responsible innovation that prioritizes human well-being as well as machine potential outside of human imitation. Accessible and thought-provoking, Artificial Humanities offers tools for analyzing and assessing technologies while they are being developed and invites readers to see how the humanities can guide us toward a more thoughtful future for AI.

A Fictional Perspective on Language in AI

Artificial Humanities

Cinema and Machine Vision

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