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Chicago's Holiday Train

Pocket Guide

Lonely Planet's local travel experts reveal all you need to know to plan an unforgettable trip to Chicago. Relax in Lincoln Park, root for a Cubs win at Wrigley Field, dig into deep-dish pizza, with the latest edition of our Pocket travel guide and find itineraries, fun walking tours and tips so you can discover twice the city in half the time.

Lonely Planet Pocket Chicago

A Mind of Her Own is a powerful historical drama about one young woman?s fight to chart her own destiny, from billion-copy bestselling author Danielle Steel.

A Mind of Her Own

Zum Werk Das Handbuch enthält Darstellungen zu den Ländern, mit deren Staatsangehörigen in größerem Umfang familienrechtliche Beziehungen zu Deutschland existieren. Der anwaltliche Berater kann sich dadurch einen schnellen Überblick zur aktuellen Rechtslage im Familienrecht der jeweiligen Länder verschaffen und im Rahmen eines Mandats kompetente Auskünfte erteilen. Nach einem einheitlichen Gliederungsschema enthalten alle Länderberichte Ausführungen zu den Themen: - Rechts- und Geschäftsfähigkeit - Ehe und Ehewirkungen - Ehescheidung - Scheidungsfolgen (Sorgerecht, Umgangsrecht, Unterhaltsrecht, Vermögensfragen, Wohnung und Hausrat, Name, Staatsangehörigkeit) - Nichteheliche Lebensformen - Abstammung - Familie - Adoption - Int. Privat- und Prozessrecht Jede Landesdarstellung ist in einem separaten Faszikel enthalten. Bei Rechtsänderungen werden die betroffenen Kapitel in einem Guss aktualisiert. Das Einordnen der Ergänzungen ist mit wenigen Handgriffen erledigt. Anstelle der früher den Ergänzungslieferungen beigefügten Text-CD wird erstmals mit der EL 14 allen Abonnenten ein kostenfreier Onlinezugang auf das neu eingerichtete Textarchiv gewährt, in dem zu allen behandelten Staaten einschlägige Texte in der Originalsprache, in englischer Sprache oder in deutscher Übersetzung vorhanden sind. Dort befinden sich auch aktuelle Hinweise in Ergänzung zu den vorhandenen Länderberichten, die insoweit gekennzeichnet sind. Zielgruppe Für Rechtsanwälte mit Interessensschwerpunkt Familienrecht, Fachanwälte für Familienrecht, Richter und Notare sowie alle Institutionen, die sich mit Rechtsfragen bei binationalen Ehen befassen.

Eine Auswahl von Länderdarstellungen - Grundwerk zur Fortsetzung (min. 3 Ergänzungslieferungen) - Rechtsstand: Oktober 2024

Ausländisches Familienrecht

The Afterglow of Industry collects photographs and texts made during a 10-year project in which the artist repeatedly traveled the length of New Zealand, from its urban centers to its most remote landscapes. Through painstakingly produced large-format film photographs and extended texts, the book explores the aftermath of the industrial era and colonial project in New Zealand, reflecting on what our labor and dreams can mean in an age of late-capitalism and climate change.

New Zealand Photographs 2012-2022

The Afterglow of Industry

Discover the story of London from behind the scenes.Imagine sitting across from a 13-year-old Princess Elizabeth on the District Line, or being overtaken by Muhammad Ali on his morning run through Hyde Park. London in Photos documents a rapidly changing society from the funeral of King Edward VII in 1910 through to the birth of the new century.

A History of the Nation’s Capital Through the Camera Lens

The Times London in Photos

My Life of Blackness and Becoming

Saga Boy

Covering more than a half century of dramatic social and political change, Ressler’s Photographs is an important document that, through vivid images and an engaging narrative, provides insight and meaning to the complex world we live in today. Global in scope, but with a focus on the Americas, the book begins in the tumultuous 1960s just one year after the Summer of Love (1967), when the author was a young college student who photographed the counterculture, street life on New York City’s gritty Lower East Side, and icons such as Andy Warhol and later Nina Simone, among others. The book then catapults us into a First Nation reserve in Quebec, Canada, as we follow Ressler’s trajectory from novice ethnographic image-maker to mature photographic artist––a career that parallels and comments on the growth of financial empires and consumerism as well as shifting trends in photography itself. 
Susan Ressler Photographs: 50 Years, No End In Sight is an impressive retrospective that traces over fifty years of artistic development. It includes six major bodies of photographic work introduced in her own words, complemented by two interpretive essays: one by Eve Schillo on Ressler’s California work, and the other an afterword by Mark Rice. Although some of the images appear in Ressler’s previous Daylight monographs (Executive Order and Dreaming California), many are published here for the first time. These include “At Owner’s Risk” (her Canadian First Nation photographs), “From Analog to Digital” (an account of photography’s transition from analog film to digital media), and “Beyond Borders” (work from Europe, Asia, and Israel). The book ends with “American Stories,” including South America and the export of US culture abroad, before Ressler comes home to Taos, New Mexico, where she lives and continues to make photographs today.

50 Years: No End in Sight

Retrospective

This story is a modern bildungsroman-the story of a young man searching for himself in turbulent times. Either by remarkable coincidence or Divine navigation, Lee Jaffe's curiosities and passions place him next to a parade of legendary artists who went on to change the world. Among those who he came to know and work with were Hélio Oiticica, Bob Marley, Peter Tosh and Jean-Michel Basquiat. Jaffe even ended up playing with Marley and Wailers at venues including Madison Square Gardens. Jaffe's determination to establish himself as an artist is a constant throughout these pages but little else was planned. Written with the rich detail and acute ear of a Studs Terkel profile, Jaffe's story provides the reader with a front row seat on some of the most magical moments of artistic production in NYC, Jamaica, London, and Rio de Janeiro.

Trips

Seoul Days & Nights

The Midnight Carousel

“In the best modernist tradition, [Deschenes] pushes against the basic terms by which photography is conventionally defined: instantaneity, veracity, fixity, or reproducibility.” — curator and critic Matthew WitkovskyDeschenes uses durational photogram exposure to create unique, shifting surfaces that frequently function as sculptural or architectural, rather than photographic, objects. In her recent work, Deschenes exposes photographic paper to the night sky, develops it, and fixes the photogram with silver toner, creating misty silver surfaces brindled with slight changes in hue that are affected either by exposure to ambient light or the hand-application of the toner itself. Some of these photograms remain unframed and oxidize over time, further problematizing the role of the photograph as fixed image on surface. Instead, purged of representational content, the photograph, in Deschenes’s practice, functions as an object that records how it has been, and continues to be, acted upon.Deschenes’ work is held in the permanent collections of Centre Pompidou, Paris; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Walker Art Center, Minneapolis; Art Institute of Chicago; ICA/Boston; Pinault Collection, Paris; Montreal Museum of Fine Arts; Milwaukee Art Museum; Princeton University Art Museum; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Liz Deschenes

"A richly illustrated history of the glittering world of queer artistic life in the 1920s and '30sIn Queer Modernism, Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and '30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903-1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of modern art, music, dance, and literature and enter a world of interracial friendship, "queer space," and experimentation that shone brightly before being swept away by the Depression. It is a remarkable story that reveals that the history of modernism is more queer and more Black than previously recognized.In the 1920s, Ewing became part of an international coterie of artists led by Carl Van Vechten and Muriel Draper. In Europe, he was entertained by Gertrude Stein, met Stravinsky, and took a road trip with Romaine Brooks and Natalie Barney. In 1928, in a closet in his apartment, Ewing created the Gallery of Extraordinary Portraits, an installation of photos of his favorite celebrities-Black and white, clothed and nude. For his Carnival of Venice, he took portraits of more than a hundred friends-including Paul Robeson, Berenice Abbott, Isamu Noguchi, Agnes de Mille, and E. E. Cummings-posed in front of a backdrop of Saint Mark's Square.Like a character from a story by F. Scott Fitzgerald, Ewing joined the party and then died tragically, unable to accept the end of his era or the lost dream of a new way of living. His story sheds new light on modernism and an artistic milieu that was ahead of its time"--

Max Ewing's Jazz Age New York

Queer Moderns

Chicago's Holiday Train

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