This book historically examines musical and cultural relationships through popular music recordings, exploring the transatlantic journeys via academic, critical and commercial reception of the music. It will interest all those who study popular music, cultural studies, and music production, as well as popular music listeners.
This book historically examines musical and cultural relationships through popular music recordings, exploring the transatlantic journeys via academic, critical and commercial reception of the music. It will interest all those who study popular music, cultural studies, and music production, as well as popular music listeners.