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Gesamtkatalog

Catalogue complet

Aycock F: Beyond the Screen

Beyond the Screen

The Future of Television and Advertising

Trish and Chris Meyer and Lee Lanier share over 20 years of hard-earned, real-world film and video production experience inside the sixth edition of this critically-acclaimed text. Far more than a step-by-step review of the features in AE, readers will learn how the program thinks so that they can realize their own visions more quickly and efficiently. This comprehensive, full-color book is packed with tips, shortcuts, and sage advice that will help users thrive no matter what projects they might encounter.Creating Motion Graphics has been thoroughly revised to reflect the latest features of After Effects CC, incorporating new and redesigned exercises and projects with HD footage, further coverage on AE integration with Cinema4D, using stereoscopic 3D and 360 VR in your projects, visual effects, and much more. The book is also accompanied by an extensive companion website including the project files and source materials for all the techniques demonstrated in the book, as well as several bonus chapters on subjects like expressions, scripting, effects, and integration with other software.

Essential and Advanced Techniques

Creating Motion Graphics with After Effects

Documentary Photography: A Creative Guidebook guides photographers through creating well-informed and creative documentary projects.

A Creative Guidebook

Documentary Photography

Céline Sciamma and the Dawn of Post-Auteurism

Building a Feminocentric Canon

In The Color Correction Coach: Organized Workflows for Color Grading Confidently and Profitably, veteran colorist Patrick Inhofer presents postproduction professionals and students with complete, repeatable processes for color correcting moving images. Featuring techniques performed in a variety of color correction software applications, this book provides skills and workflows that any aspiring colorist, editor, independent filmmaker, or motion graphics artist requires to master primary and secondary corrections, reference monitors, scopes, contrast, saturation, shot matching, controlling the eye, client relations, budgeting, and much more. A robust companion website features source footage that readers can download and edit, video webinars and tutorials, and instructor resources.

Organized Workflows for Color Grading Confidently and Profitably

The Color Correction Coach

Visual Storytelling with Color and Light teaches background and concept designers in animation and film the skills needed to create visually stunning and professionally appealing pieces. In the world today-where digital is considered king- the importance of traditional media and the skills attached to them are often overlooked.

Visual Storytelling with Color and Light

This book aims to provide readers with a systematic understanding of traditional visual effects production, covering both internal VFX studio operations and external collaborations. It is divided into six chapters covering a range of topics.

An Enlightenment Education Book on Film Visual Effects

Invisible Visual Effects

Cinematic Style as Philosophy

Robert Bresson

Witchcraft in Movies, Television, and Popular Culture

Something Wicked

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Global East Asian Screen Cultures

The Cinema of Stephen Chow

Beyond the Screen

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