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Foster Thomas: Artificial Intelligence
in Music and Audio Production

Artificial Intelligence in Music and Audio Production

Shaping the Sound of Tomorrow

Practical Implementations for Business Operations

Decoding AI

Integration of Federated Learning and Blockchain f or Smart Cities

The philosopher Spinoza once asserted that no one knows what a body can do. Similarly, we can ask ourselves about Artificial Intelligence (AI): to what extent is the development of intelligence limited by its technical and material substrate? In other words, what can AI do? The answer is analogous to Spinoza's: nobody knows the limit of AI.

Strengths and Limitations of Artificial Intelligence

What AI Can Do

Stories Behind The Songs, Tours and Rise of an Icon

The Stories Behind the Songs, Tours and Rise of an Icon

Ariana Grande

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

SOAS Studies in Music

Musical improvisation is a complex form of creative human expression. In this book, Sabina Rakcheyeva explores the logical outcomes of performance, relating them to existing theories and expanding those theories with new findings. Rakcheyeva begins with an examination of the attributes of musical improvisation, how it is practised, its logic, the creativity of the process and the role of the audience in performance. The book's second half is devoted to a description of a performance-based research project involving the author, a violinist, and members of her ensemble. A self-referent endeavour involving cross-cultural and cross-disciplinary analyses, investigates aspects of improvisation in recent musical practice, juxtaposing this onto the author's own performance experience and elaborating, in particular, on how improvisation encapsulates processes of imagination, creation, and collaboration among musicians from different music backgrounds. Taking the music performance to a next stage, the author explores the ways of how musical collaboration as a tool of public engagement can contribute to promoting understanding and preventing and resolving conflict, in a search of methodology for improving the effectiveness of current practices

Music as Cultural Diplomacy: Using Improvisation as a Creative Tool

Recent advances in robotics and artificial intelligence enabled robots to not merely be programmed for a specific task, but adapt to their environment and own body autonomously. The inspiration for this open-ended development and learning comes from findings in developmental psychology on sensorimotor and social learning. Developing a sense of Self and a sense of agency is a crucial milestone towards autonomy and cognitive and social skills in both natural and artificial systems.By exploring and interacting with their surroundings, infants learn about their bodily capabilities and develop a sense of their body as an entity differentiated from the environment and that they can control. Neuroscientists identified a set of brain regions that would be involved in this subjective experience, and hypothesized on a range of processes that would produce it.This book will explain the development of the self and self-agency in humans, and discuss what could be transferred to artificial systems. The state of the art of research in developmental robotics related to the self will be illustrated with many examples.

Self And Sense Of Agency In Artificial Systems

Ego, Envy and Ambition in Pop, Rock and Hip-Hop

Famous

The Music, Culture and World De La Soul Made

Living in a D.A.I.S.Y. Age

Music and Material Culture

In the early twenty-first century we are inundated with technologies and discourses that privilege the apparently liberating immaterial aspects of digital culture. Despite, or perhaps because, of this, the making of material objects continues to be of importance in people's everyday lives. Including case studies on guitar makers, homemade recording equipment, car audio culture, and 3D printing of musical instruments, Gavin Carfoot critically examines the ways that musical objects are produced through social and cultural practices and forms of labour, in co-constitutive ways between human makers and non-human objects.

The Culture and Practice of Making Musical Objects

Making Things Musical

What is Art in the age of inequality, climate change and AI? From leading design group, Metahaven.

Cognitive Futures

The Hard Question of Art

Artificial Intelligence in Music and Audio Production

Informations bibliographiques

Mots-clés

Informations bibliographiques

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