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Arlene Shechet: Girl Group

From Graphic Design to Art

Thomas Hirschhorn

Francis Bacon Studies

The fifth volume in the acclaimed Francis Bacon Studies series, published under the aegis of The Estate of Francis Bacon.

Francis Bacon Retrieved - Lost Words / New Writing

From Duchamp to Bourgeois, Harrison's curation of 20th-century sculpture looks at the study of the human bodyGuided by a desire to illuminate and inspire reflection on the sculptural form, Dominique Lévy of LGDR invited American artist Rachel Harrison (born 1966) to curate a presentation of 20th-century sculpture. The exhibition that emerged comprises a group of works that consider Modernism's devotion to that most fundamental of subjects: the human figure. Stage Fright features works by Louise Bourgeois, Constantin Brâncusi, Marcel Duchamp, Marisol, Alberto Giacometti and Alina Szapocznikow that represent the body in extremis--shown ruptured in pieces or pared down to the essentials. The individual pieces act as surrogates that stand in for the whole. Taken together, the works on view embody various conceptions of personhood as routed through objects, whether rendered with aching specificity, as in the clefts and folds of Szapocznikow's plaster Ventre (Belly) (1968), or invoked as a generic type, as in Marisol's totemic couple The Blacks (1962). Richly illustrated with installation views from the exhibition, Stage Fright features a new text by Harrison--framed as a dialogue between filmmaker Alfred Hitchcock and figure skater Peggy Fleming--that critically examines the presentation and the artist's own practice and approach.

Rachel Harrison's Stage Fright

New Encounters: Arts, Cultures, Concepts

"This book considers the sculptures of Louise Bourgeois (1911-2010) in light of psychoanalyst D. W. Winnicott's (1896-1971) radical ideas regarding transitional objects, potential space, and play, offering a model for exploring the complex and psychologically evocative sculptures Bourgeois produced from 1947 to 2000. Bridging themes and concerns of modernism and postmodernism, the book reveals how Bourgeois brought a decades-long study of psychoanalysis to bear upon her sculptural production that was symbolic, metaphorical, but most importantly, useful"--

Louise Bourgeois’s Sculpture, 1947–2000

Transformative Objects and the Aesthetics of Play

"Art has poisoned our life", proclaimed Dutch artist and De Stijl co-founder Theo van Doesburg. Reacting to the tumultuous crises of the twentieth century, especially the horrors of the First World War, avant-garde artists and writers sought to destroy art by transforming it into the substance of everyday life. Following the evolution of these revolutionary groups, How to Be Avant-Garde charts its pioneers and radical ideas.
From Paris to New York, from Zurich to Moscow and Berlin, avant-gardists challenged the confines of the definition of art along with the confines of the canvas itself. Art historian Morgan Falconer starts with the dynamic Futurist founder Filippo Tommaso Marinetti, whose manifesto extolling speed, destruction and modernity seeded avant-gardes across Europe. In turn, Dadaists Hugo Ball and Emmy Hennings sought to replace art with political cabaret and the Surrealists tried to exchange it for tools to plumb the unconscious.
He guides us through the Russian Constructivists with their adventures in advertising and utopianism and then De Stijl with the geometric abstractions of Piet Mondrian. The Bauhaus broke more boundaries, transmuting art into architecture and design. Finally, the Situationists swapped art for politics, with many of their ideas inspiring the 1968 Paris student protests.
How to Be Avant-Garde is a journey through the interlocking networks of these richly creative lives with their visions of a better world, their sometimes sympathetic but often strange and turbulent conversations and their objects and writings that defied categorisation.

Modern Artists and the Quest to End Art

How to Be Avant-Garde

A long overdue evaluation of John Walker's work from the last half century.

John Walker

An art book about art that has a purpose, focusing on work by Quentin Blake that has been commissioned for a particular place or for a particular use. Illustration is the most accessible visual artform and one that is used in all aspects of life; as Quentin Blake says, 'it is, if you like, a vernacular; it's a language that everybody understands. They may look at it and not think that they're looking at art, but it's having the effect on them of art. It's a language that everybody can read, so to speak.' The work here shows Quentin using this vernacular to great effect and for very different purposes. In 2007 when Elizabeth II was opening the new Eurostar at St Pancras, Quentin was asked to hide an unsightly building across the road. He drew a 2-colour illustration on his drawing board showing a cast of characters that you might meet on a London Street; this was then blown up large enough to wrap a five-storey building. Since then he has found other opportunities for site specific work. Here are beautiful drawings of new-borns, mothers and fathers in a maternity hospital in France. Some images were etched, larger than life-size, on the external glass of the building as well as used in corridors and delivery suites. Most recently Quentin has done a series of drawings of everyday life for the family rooms for prisons across the UK. And charities have benefited from Quentin's enjoyment of drawing for a purpose; the Roald Dahl Marvellous Charity's logo and cards; for Comic Relief's two virtual pantomimes during lockdown, he drew the scene changes for Cinderella and Beauty and the Beast which were then auctioned; he created a rainbow for the NHS trust mug, and posters for Islington Libraries to encourage reading. All these and more are featured in this charming book, which opens with a foreword by Quentin Blake, and includes photographs of him at work.

Not for Art's Sake

America

Art of

Kelogloops: The Art of Hieu Nguyen is the debut art book from the popular mixed-media artist.&nbsp; Though Hieu is based in Melbourne, Australia, his incredible artwork has been showcased in exhibitions around the world, including Los Angeles, Berlin, San Francisco, and Sydney. Known for both digital and watercolour paintings, Hieu masterfully blends his love of surreal-art styles and Japanese anime. 
In this stunning art book, Hieu takes readers through his journey as an artist, from being taught a simple way to draw manga art by his older sister aged five, to reaching over a million followers on Instagram as 'Kelogsloops' and achieveing commercial success.&nbsp;Primarily a watercolour artist, Hieu creates delicate yet vibrant paintings that create an emotional connection with the viewer. His work is driven by the everyday feelings that come with being human, such as love, grief, and nostalgia - those things that can often onlly be communicated through art.
Readers will find joy in discovering how Hieu is inspired to create his work, and the process behind each piece. This is a must-have book for any fan of Kelogsloops, or any art fan in general. The production value is incredibly high, making this a book to keep on your coffee table or bookshelf for years to come.

From Sketch to Finish

The Art of Kelogsloops

Contextualizing Art Markets

Creating Markets for Modern Art, 1940–1990

Women Art Dealers

Ruth Duckworth delivers an extensive, thoughtful monograph on the artist’s entire body of work with new scholarship, exquisite reproductions, and the complete cooperation of the Duckworth Estate.This book firmly establishes the artist in the pantheon of&nbsp;twentieth-century sculptors, in a class with Barbara Hepworth and Henry Moore.&nbsp;Duckworth referred to herself not as a potter or ceramicist, but as a sculptor with clay,&nbsp;and this volume takes her at her word, foregrounding her sculptural production. As&nbsp;Emmanuelle Cooper wrote in her obituary: “In both her life and work, Duckworth’s&nbsp;background was one of non-conformity. In Germany, as a young girl, she risked prosecution by defacing a Nazi monument and resented being unable to attend art school because her father was Jewish. Most challenging of all was her determination to gain international respectability as a sculptor working primarily in clay.

Ruth Duckworth

"Catalogue raisonnâe volume 2 on influential artist-architect Tony Smith, focusing on architecture. Released with companion book of critical commentary (Against Reason)"--

Catalogue Raisonné Volume 2

Tony Smith Architecture

Arlene Shechet: Girl Group

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