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This lively and wide-ranging study explores the reception of Aristophanes in the long-nineteenth century. It examines both political and aesthetic strands of this reception, and argues that Aristophanic reception in the period was always a process of speaking to contemporary issues--making Old Comedy new.
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This lively and wide-ranging study explores the reception of Aristophanes in the long-nineteenth century. It examines both political and aesthetic strands of this reception, and argues that Aristophanic reception in the period was always a process of speaking to contemporary issues--making Old Comedy new.