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Boyd Joe: And the Roots of Rhythm Remain
/ LF

And the Roots of Rhythm Remain

A Journey Through Global Music

Read this rollicking rock 'n' roll memoir of the last 50 years of rock history, from David Bowie's longest serving lead guitarist and legendary sideman, Earl Slick. He's played with everyone from John Lennon to the New York Dolls - and he's got the stories to prove it. ----'Earl is a legendary guitar star. His playing is earth, timeless and never less than stellar' DAVID BOWIE'You play mean ass blues for a skinny ass white boy' BUDDY GUY'Had a good night out did we . . .?' JOHN LENNONEarl Slick was barely out of his teens when David Bowie hired him to play guitar on the ground-breaking 1974 Diamond Dogs tour. It marked the beginning of a relationship that would endure through thick and thin for the next forty years. Gracing classic albums like Young Americans, Station to Station and the 2013 comeback, The Next Day, Slick played on the tour that followed Bowie's smash hit Let's Dance album and was at his side for the epic Glastonbury show in 2000. But it wasn't just Bowie. The young guitarist was in John Lennon's band at the time of the former Beatle's tragic murder. Other collaborations read like a roll call of rock 'n' roll royalty including Mick Jagger, The Cure, George Harrison, Ringo Starr, Joe Cocker, Buddy Guy, Ian Hunter, David Coverdale and Eric Clapton. And in the '80s he became an MTV star in his own right with the success of Phantom, Rocker and Slick. Through it all he lived the rock 'n' roll life to the hilt. Until it nearly killed him. One of rock's great sidemen, Earl Slick was in the room when music history was made. Guitar takes us there, shining a light on superstars like Bowie and Lennon, while recounting the extraordinary story of the boy from New York City who became a real-life Johnny B. Goode.

Guitar

Routledge Research in Music

Weida Wang explores how Western classical music has become increasingly popular in China, framing the industry as a complex entity embedded within China's political landscape, cultural economy, and cultural industries. The study delves into the mechanisms and underlying logics driving the rapid expansion of this market in contemporary China.

A Dialectical Crescendo

The Western Classical Music Industry in Twenty-First Century China

'Fabulously readable' STEPHEN FRY'Wildly entertaining' DAILY EXPRESS'Rollicking ... ebullient ... Christmas present problems are instantly solved' MAIL ON SUNDAYNominated for the 2025 Association for Recorded Sound Collections Awards for Excellence in Historical Recorded Sound ResearchDescribed variously as a 'polymath', a 'renaissance man' and 'one of the most colourful characters in the music business', Mike Batt has led an extraordinarily vibrant and challenging life that has been full of both glorious victories and bitter failures. For better or for worse, he is a man who has always lived life on his own terms. Idiosyncratic but mainstream, complicated but compassionate, steadfastly maverick in spirit but avowedly commercial in outlook. He is a man of great contradictions, but even greater talent. After starting out in the music business as a teenager, Batt shot to fame in the early 1970s for his part in the creation of the Wombles pop group. But this success proved to be just the beginning as he then went on to work with various artists as a songwriter, composer and producer, including Art Garfunkel, George Harrison, Cliff Richard, Andrew Lloyd-Webber and Katie Melua. Featuring cameos from some of the biggest stars in the business from Paul McCartney to Prince, The Closest Thing to Crazy takes us not only on the rocky (and classical) journey of Mike Batt's life but also on a tour around the inside of his mind.

My Life of Musical Adventures

The Closest Thing to Crazy

A major look at the environmental impact of the music industry and a brilliant exploration of how musicians are thinking about and being influenced by the climate crisis

Music, Climate, Crisis, Change

Recomposed

33 1/3 South Asia

"Lata Mangeshkar: My Favourites, Vol. 2 is the story of 50 songs the songstress chose as her favourites among her own work, from a repository of over 5,000. The book covers an expanse of nearly forty years, connecting the reader to the real-life events behind the songs, going back to the times when music listening in India was limited to the radio, the 78 RPM shellac, and the occasional visit to the cinema, and later, the vinyl records, cassettes, the 30 minutes Chitrahaar on television every week, and VHS systems which were finding a place in middle-class homes"--

Lata Mangeshkar: My Favourites, Vol. 2

A revised and expanded edition of the long out-of-print history of Factory Records, the legendary record label that launched Joy Division, New Order, and Happy Mondays. Featuring a foreword by Jon Savage. "Definitive and comprehensive, this is the actual story of Factory Records" - Peter Saville &gt;In 1978, a "Factory for Sale" sign gave Alan Erasmus and Tony Wilson a name for their fledgling Manchester club night. Though they couldn't have known it at the time, this was the launch of one of the most significant musical and cultural legacies of the late twentieth century. The club's electrifying live scene soon translated to vinyl, and Factory Records went on to become the most innovative and celebrated record label of the next thirty years. &gt;Always breaking new musical ground, Factory introduced the listening public to bands such as Joy Division, whose Unknown Pleasures was the label's first album release, New Order, Durutti Column and Happy Mondays. Propelled onwards by the inspirational cultural entrepreneur, Tony Wilson, Factory always sought new ways to energise the popular consciousness. Now fully revised and expanded with a new chapter, Shadowplayers is the most complete, authoritative and thoroughly researched account of how a group of provincial anarchists and entrepreneurs saw off bankers, journalists and gun-toting gangsters to create the most influential record label of modern times. Based on both archive and contemporary sources, the book tells the full story of Factory's heroic struggles, its complex web of inventive, idiosyncratic and tragic personalities, and ultimately, the acclaimed and much-loved music it produced.

The Rise and Fall of Factory Records

Shadowplayers

Raised on Radio

How Does It Sound Now? features 32 interviews with top engineers and producers who have contributed to hundreds of millions of albums and CDs throughout their combined careers, including a new interview with Leslie Gaston-Bird for this second edition.

Legendary Engineers and Vintage Gear

How Does It Sound Now?

Since Spotify launched in 2008, music streaming services have steadily encroached on our lives. Streaming was sold as a legal alternative to piracy. But in reality, it was an untenable model that enriched a small number of executives while pillaging music communities and exploiting listeners. Mood Machine tells the story of the so-called streaming revolution by reckoning with both sides of what Spotify refers to as its two-sided marketplace: the listeners who pay with their dollars and data, and the musicians who provide the material powering it all (and are increasingly charged fees to access their fans). With testimony from industry insiders and artists alike, Pelly will give voice to the new discontent, and sketch out how the ecstasy and diversity and connection of music can be preserved for future generations.

The Rise of Spotify and the Costs of the Perfect Playlist

Mood Machine

Creative Confidence and Music Production: Overcome Your Insecurities is a practical guide for music producers to tackle self-doubt and navigate the relationship between confidence and creativity, by offering tools to overcome the most common creative blocks.

Overcome Your Insecurities

Creative Confidence and Music Production

Routledge Research in Digital Media and Culture in Asia

This book explores how the state instrumentalises cultural industries through an in-depth study of the South Korean government's cultural industry policies. It will interest scholars and students in the areas of media and cultural policy, media and cultural industries, global media, and Asian studies.

The South Korean Government's Instrumentalisation of Popular Culture

Cultural Policies in the Era of the Korean Wave

Precarity, Vibrancy and Live Music

Small Venues

And the Roots of Rhythm Remain

Informations bibliographiques

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