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The first exploration of American power in the post-WWII Netherlands and the consequences of that power for Dutch policy in the period.

Snyder D: American Power in the
Netherlands

American Power in the Netherlands

Modernization and the Politics of Clientelism, 1941-1959

Introduction: Patronage and Clientelism in the Postwar World 1. War and Renewal 2. The Years of Uncertainty, 1945-1946 3. The Crisis Years: Expropriating American Power, 1946-1948 4. American Power Becomes Decisive, 1948-1951 5. Dutch Military Clientelism: Securing the Verzorgingsstaat, 1949-1953 6. Cultural and Information Programming, 1948-1955 7. Reasserting Autonomy: Productivity, Austerity, and the Dutch Harmony Model, 1951-1954 8. The Waning of the American Era, 1955-1959 Conclusion: The Meaning of Clientelism in the American Century Bibliography Index

Twelve Chapters in the History of the French Far Right

The Dark Side of France

The Emerging Western World Canon in the Mediterranean and India, c. 1750-1800

A revealing look at differing threat perceptions in six key NATO countriesWhen Russia began its full-scale invasion of Ukraine in February 2022, analysts and policymakers highlighted the unifying shock that NATO members experienced. However even before the return of US president Donald Trump, beneath this seeming cohesion lay deep-seated differences in how member states perceive and prioritize security threats.NATO after Russia's Invasion of Ukraine analyzes the six most influential members of the alliance: the United States, the United Kingdom, France, Germany, Poland, and Italy. Through extensive interviews with current and former policymakers and a detailed examination of public statements and policies, Jason W. Davidson delivers a unique assessment of how divergent threat perceptions influence the NATO allies' major defense decisions, such as defense spending, and whether the alliance addresses each ally's most important threat and its view of NATO's most important challenges. With the rise in tumultuous geopolitical challenges posed by Russia, China, terrorism, mass refugee flows, and nationalism, this book provides the crucial context needed to navigate NATO's evolving role in international security.Davidson provides vital insights for anyone seeking to understand the complex dynamics shaping the future of NATO and transatlantic security. Policy professionals will find actionable intelligence, while scholars and students of international relations and political science will appreciate its rigorous analysis and extensive primary research.

Threat Perceptions and Their Consequences

NATO After Russia's Invasion of Ukraine

Feminist Lessons From Five Revolutionary Women

Red Valkyries

The American History Series

Oil and American History

Cultural Histories of Theatre and Performance

Culture and Experiment in the Irish Free State

Performing Modernity

The Irish Midwives

The Irish Midwife at War

Untitled

The Battle That Turned World War II in the East

Burma '44

The Story of the American Indian

From the Past to the Present

The Story of the Crow Indians

A comprehensive presentation of the Yale University Art Gallery's collection of Italian paintings from the thirteenth to the fifteenth century &nbsp; The collection of Italian paintings at the Yale University Art Gallery is one of the largest and richest in the world. The first of four volumes on the collection, this sumptuously illustrated book features over seventy-five works dating from 1230 to 1420 by artists such as Taddeo Gaddi, Andrea di Cione (better known as Orcagna), Lippo Memmi, Pietro and Ambrogio Lorenzetti, and Lorenzo Monaco. In addition to discussions of each painting's meaning, function, and significance, entries provide published references, provenance, full technical notes, and detailed conservation histories. An introduction by Laurence Kanter chronicles the history of the collection, from the James Jackson Jarves Collection that was assembled in the nineteenth century-the earliest formed collection of Italian paintings in any American museum-to more recent gifts by Louis and Hannah Rabinowitz and Richard Feigen. While many of the works are from Florence and Siena, the volume also includes examples from Bologna, Rimini, Venice, and more. Through its wide-ranging holdings, the Gallery's collection provides a remarkable sense of the diverse visual culture of the time. &nbsp; Distributed for the Yale University Art Gallery

Volume 1: 1230-1420

Italian Paintings at the Yale University Art Gallery

This book examines 'womanhood' and 'race' not only as disputed, converging, and constantly changing categories and lived experiences, but also as interrelated and unequal subjectivities and social realties that shaped all early-twentieth century Puerto Ricans. It empirically documents just how significantly 'womanhood' and 'race' were inextricably intertwined in Puerto Rico between 1914 and 1945, a decisive period in U.S. expansionism and in the transformation of this island. Through a comparative analysis and description of specific subjects in early-twentieth century Puerto Rico—mostly Puerto Ricans from different races and social classes, but also some North Americans as well—the book demonstrates the extent to which 'womanhood' and 'race' are a more thorny, volatile, and unstable than is commonly acknowledged within Women’s History and Caribbean Studies. This is the first book that examines the relationships between women in Puerto Rico from divergent social classes and racialized positions by mostly focusing on the socioeconomic and racial inequalities among colonized women in Puerto Rico. This is in marked contrast with most Women’s History globally which mainly concentrates either on the lives of elite women or, at best, on the unequal relationships between colonizer- and/or European-descended women vis-à-vis colonized- and/or non-white women. In this book 'womanhood' and 'race' are not seen as separate, nor as already given, historically and culturally immutable 'things.’ Those are some of the lacunae this book transcends, primarily in the case of white-Creole women relative to non-white Island women and the images socially constructed of them in Puerto Rico, as well as for racially located Puerto Ricans more broadly. Within this context, the book enables a different reading of already known documents while demonstrating the importance of examining unused or forgotten bibliographical sources, some of them previously untranslated.Gladys M. Jiménez-Muñoz is an Associate Professor at the Sociology Department at Binghamton University-SUNY.&nbsp;

Labile Bodies, Colonial Disparities

Womanhood and Race in Interwar Puerto Rico

American Power in the Netherlands

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