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African American Writing

Volume I
Part 1: African American Literary-Cultural Statements
1. Frederick Douglass, ‘What to the Slave is the Fourth of July?’ An Address Delivered in Rochester, New York, on 5 July 1852 (Independence Day Speech delivered to the Anti-Slavery Sewing Society).
2. Alain Locke, ‘The New Negro’, in Alain Locke (ed.), The New Negro (Albert and Charles Boni, 1925), pp. 3–25.
3. Langston Hughes, ‘The Negro Artist and the Racial Mountain’, The Nation, 23 June 1926, 122, 692–4.
4. W. E. B. Dubois, ‘Criteria for Negro Art’, Crisis, October 1926, 32, 290–7.
5. Charles W. Chesnutt, ‘Post-bellum—Pre-Harlem’, The Colophon, February 1931, 38, 193–4.
6. Zora Neale Hurston, ‘How it Feels to be Colored Me’, The World Tomorrow, May 1928.
7. Ralph Ellison, ‘The World and the Jug’, Shadow and Act (Random House, 1964), pp. 107–43.
8. James Baldwin, ‘Many Thousands Gone’, Partisan Review, November–December 1951, 18, 665–80.
9. Arthur P. Davis, ‘Integration and Race Literature’, The American Negro Writer and His Roots: Selected Papers from the First Conference of Negro Writers, March 1959 (New York, 1960), pp. 34–40.
10. LeRoi Jones, ‘The Myth of a "Negro Literature"’, Home: Social Essays (William Morrow, 1966), pp. 105–15.
11. Chester Himes, ‘Dilemma of the Negro Novelist in the United States’, in John A. Williams (ed.), Beyond the Angry Black (Cooper Square Publishers, 1966), pp. 52–8.
12. Ishmael Reed, ‘Introduction: The Reed Reader’, The Reed Reader (Basic Books, 2000), pp. xi–xxx.
13. Alice Walker, ‘If the Present Looks Like the Past, What Does the Future Look Like?’, In Search of Our Mothers’s Gardens: Womanist Prose by Alice Walker (Harcourt, Brace, Jovanovich, 1983), pp. 290–312.
14. Henry Louis Gates, Jr., ‘"What’s in a Name?" Some Meanings of Blackness’, Loose Canons: Notes on the Culture Wars (Oxford University Press, 1993), pp. 131–51
Part 2: Overviews
15. A. Robert Lee, ‘Harlem on My Mind: Fictions of a Black Metropolis’, in Graham Clarke (ed.), The American City: Literary and Cultural Perspectives (London: Vision Press, 1988), pp. 62–5.
16. Houston A. Baker, Jr., ‘In Our Own Time: The Florescence of Nationalism in the Sixties and Seventies’, The Journey Back: Issues in Black Literature and Criticism (University of Chicago Press, 1970), pp. 77–131.
17. Barbara Christian, ‘Trajectories of Self-definition: Placing Contemporary Afro-American Women’s Fiction’, in Marjorie Pryse and Hortense J. Spillers (eds.), Conjuring: Black Women, Fiction, and Literary Tradition (Indiana University Press, 1985), pp. 232–48.
Part 3: Theory Perspectives
18. Addison Gayle Jr., ‘The Black Aesthetic: Introduction’, in Addison Gayle, Jr. (ed.), The Black Aesthetic (Doubleday, 1971), pp. xv–xxiv.
19. Larry Neal, ‘The Black Arts Movement’, The Drama Review, Summer 1968, 12, 4, 19–39.
20. Henry Louis Gates, Jr., ‘The Blackness of Blackness: a Critique of the Sign and the Signifying Monkey’, in Henry Louis Gates, Jr. (ed.), Black Literature &amp; Literary Theory (Methuen, 1984), pp. 285–321.
21. Karla F. C. Holloway, ‘The Idea of Ancestry: African-American Writers’, Moorings &amp; Metaphors: Figures of Culture and Gender in Black Women’s Literature (Rutgers University Press, 1992), pp. 113–40.
Volume II
Part 4: Oral Tradition and Legacy
22. Sterling Stuckey, ‘Through the Prism of Folklore: The Black Ethos in Slavery’, Massachusetts Review, Summer 1968, IX, 3, 417–37.
23. Houston A. Baker, Jr., ‘Black Folklore and the Black American Literary Tradition’, Long Black Song: Essays in Black American Literature and Culture (University Press of Virginia, 1972), pp. 18–41.
Part 5: Literary Critique and Slavery Studies
24. Mary F. Berry and John W. Blassingame, ‘Africa, Slavery, &amp; The Roots of Contemporary Black Culture’, in Michael S. Harper and Robert B. Stepto (eds.), Chant of Saints: A Gathering of Literature, Arts and Scholarship (University of Illinois Press, 1979), pp. 241–56.
25. Robert B. Stepto, ‘I Rose and Found My Voice: Narration, Authentication, and Authorial Control in Four Slave Narratives’, From Behind the Veil: A Study of Afro-American Narrative (University of Illinois Press, 1979), pp. 3–31.
26. Valerie Smith, ‘Form and Ideology in Three Slave Narratives’, Self-Discovery and Authority in Afro-American Narrative (Harvard University Press, 1987), pp. 9–43.
27. Sandi Russell, ‘Out of Slavery’, Render Me My Song: African-American Writers from Slavery to the Present (St. Martin’s Press, 1990), 1–19.
Part 6: Early and Reconstruction African American Texts
28. Mary McAleer Balkun, ‘Phillis Wheatley’s Construction of Otherness and the Rhetoric of Performed Ideology’, African American Review, 2002, 36, 1, 121–35.
29. Lois Leveen, ‘Dwelling in the House of Oppression: The Spatial, Racial, and Textual Dynamics of Harriet Wilson’s Our Nig’, African American Review, 2001, 35, 4, 561–80.
30. Rebecca Skidmore Biggio, ‘The Specter of Conspiracy in Martin Delaney’s Blake’, African American Review, 2008, 42, 3–4, 439–54.
31. Ladell Payne, ‘Trunk and Branch: Charles Waddell Chesnutt, 1858–1932’, Black Novelists and the Southern Literary Tradition (University of Georgia Press, 1981), pp. 9–25.
32. Jane Campbell, ‘A Necessary Ambivalence: Sutton Griggs’s Imperium in Imperio and Charles Chesnutt’s The Marrow of Tradition’, Mythic Black Fiction: The Transformation of History (University of Tennessee Press, 1986), pp. 42–63.
33. Lilliam S. Robinson and Greg Robinson, ‘Paul Laurence Dunbar: A Credit to His Race?’, African American Review, 2007, 41, 2, 215–25.
34. Claudia Tate, ‘Pauline Hopkins: Our Literary Foremother’, in Marjorie Pryse and Hortense J. Spillers (eds.), Conjuring: Black Women, Fiction, and Literary Tradition (Indiana University Press, 1985), pp. 53–66.
35. Sandra Adell, ‘The Souls of Black Folk: Reading Across the Color Line’, Double Consciousness/Double Bind (University of Illinois Press, 1994), pp. 11–28.
Volume III
Part 7: New Negro and Harlem Renaissance
36. Heather Russell Andrade, ‘Revising Critical Judgments of The Autobiography of an Ex-Colored Man’, African American Review, 2006, 40, 2, 257–70.
37. Karl Henzy, ‘Langston Hughes’s Poems and the Metaphysics of Simplicity’, Callaloo, 2011, 34, 3, 915–27.
38. Arna Bontemps, ‘The Negro Renaissance: Jean Toomer and the Harlem Writers of the 1920s’, in Herbert Hill (ed.), Anger and Beyond (Harper and Row, 1966), pp. 20–36.
39. William C. Fischer, ‘The Aggregate Man in Jean Toomer’s Cane’, Studies in the Novel, Summer 1971, 3, 2, 190–215.
40. Darwin T. Turner, ‘Countee Cullen: the Lost Ariel’, In a Minor Chord: Three Afro-American Writers and Their Search for Identity (Southern Illinois University Press, 1971), pp. 60–120.
41. Catherine Rottenberg, ‘Writing from the Margins of the Margins: Michael Gold’s Jews Without Money and Claude McKay’s Home to Harlem’, MELUS, Spring 2010, 35, 1, 119–40.
42. Sharon L. Jones, ‘"How It Feels to Be Colored Me": Social Protest in the Fiction of Zora Neale Hurston’, Rereading the Harlem Renaissance: Race, Class, and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West (Greenwood Press, 2002), pp. 67–116.
43. Mary Conde, ‘Passing in the Fiction of Jessie Redmon Fauset and Nella Larsen’, The Yearbook of English Studies, 1994, 24, 94–104.
44. Stephen P. Knadler, ‘Sweetback Style: Wallace Thurman and a Queer Harlem Renaissance’, Modern Fiction Studies, Winter 2002, 48, 2, 899–936.
Part 8: Richard Wright, Chester Himes, Ann Petry, Frank Yerby, Margaret Walker, and John A. Williams
45. A. Robert Lee, ‘Richard Wright’s Inside Narratives’, in Richard Gray (ed.), American Fiction: New Readings (Vision Press, 1983), pp. 200–21.
46. Kevin Bell, ‘Assuming the Position: Fugivity and Futurity in the Work of Chester Himes’, Modern Fiction Studies, Winter 2005, 51, 4, 846–72.
47. Evie Shockley, ‘Buried Alive: Gothic Homelessness, Black Women’s Sexuality, and (Living) Death in Ann Petry’s The Street’, African American Review, 40, 3, 2006, 439–60.
48. Stephanie Brown, ‘Frank Yerby and the "Costume Drama" of Southern Historiography’, The Postwar African American Novel: Protest and Discontent, 1945–1950 (University Press of Mississippi, 2011), pp. 67–98.
49. Minrose C. Gwin, ‘Margaret Walker’s Jubilee: The Black Woman’s Celebration of Human Community’, in Marjorie Pryse and Hortense J. Spillers (eds.), Conjuring: Black Women, Fiction, and Literary Tradition (Indiana University Press, 1985), 132–50.
50. Matthew Calihman, ‘Black Power beyond Black Nationalism: John A. Williams, Cultural Pluralism, and the Popular Front’, MELUS, Spring 2009, 34, 1, 139–62.
Part 9: Ellison and Baldwin
51. John F. Callahan, ‘Frequencies of Eloquence: The Performance and Composition of Invisible Man’, In the African-American Grain: Call-and-Response in Twentieth-Century Black Fiction, 2nd edn. (Wesleyan University Press, 1990), pp. 150–88.
52. Christopher Z. Hobson, ‘Ralph Ellison, Juneteenth, and African American Prophecy’, Modern Fiction Studies, Fall 2005, 51, 3, 617–47.
53. Lawrie Balfour, ‘Finding the Words: Baldwin, Race Consciousness, and Democratic Theory’, in Dwight A. McBride (ed.), James Baldwin Now (New York University Press, 1999), pp. 75–99.
54. Carol E. Henderson, ‘Refiguring the Flesh: The Word, the Body, and the Rituals of Being in Beloved and Go Tell It On The Mountain’, in Lovalerie King and Lynn Orilla Scott (eds.), James Baldwin and Toni Morrison: Comparative Critical and Theoretical Essays (Palgrave Macmillan, 2006), pp. 149–65.
Volume IV
Part 10: Modern African American Fiction
55. Justine Tally, ‘The Morrison Trilogy’, in Justine Tally (ed.), The Cambridge Companion to Toni Morrison (Cambridge University Press, 2012), pp. 74–91.
56. Maria Lauret, ‘The Color Purple’, Alice Walker (St. Martin’s Press, 2000), pp. 90–120.
57. Keith E. Byerman, ‘Women’s Blues: The Fiction of Toni Cade Bambara and Alice Walker’, Fingering the Jagged Grain: Tradition and Form in Recent Black Fiction (University of Georgia Press, 1985), pp. 104–70.
58. E. Shelley Reid, ‘Beyond Morrison and Walker: Looking Good and Looking Forward in Contemporary Black Women’s Stories’, African American Review, 2000, 24, 2, 313–28.
59. Pierre-Damian Mvuekure, ‘American Neo-Hoodooism: the Novels of Ishmael Reed’, in Maryemma Graham (ed.), Cambridge Companion to the African American Novel (University of Cambridge Press, 2004), pp. 203–20.
60. Missy Dehn Kubisschek, ‘Paule Marshall’s Witness to History’, Claiming the Heritage: Women Novelists and History (University Press of Mississippi, 2001), pp. 69–89.
61. Charles H. Rowell, ‘The Quarters: Ernest Gaines and the Sense of Place’, in James Olney (ed.), Afro-American Writing Today: An Anniversary Edition of the Southern Review (Louisiana State University Press, 1983), pp. 146–63.
62. Cheryl A. Wall, ‘Gloria Naylor’s Extending the Line: From Sula to Mama Day’, Callaloo, 2000, 23, 4, 1449–63.
63. Philip Page, ‘"As Within, So it is Without": The Composite Self in Charles Johnson’s Oxherding Tale and Middle Passage’, Reclaiming Community in Contemporary African American Fiction (University Press of Mississippi, 1999), pp. 116–56.
64. Ashraf H. A. Rushdy, ‘The Iron Fettered Weight of all Civilization: The Project of Barbara Chase-Riboud’s Narratives of Slavery’, Callaloo, 2009, 32, 3, 758–72.
65. Marc Steinberg, ‘Inverting History in Octavia Butler’s Postmodern Slave Narrative’, African American Review, 2004, 38, 3, 467–76.
66. Daniel Grassian, ‘Trey Ellis’, Writing The Future of Black America: Literature of the Hip-Hop Generation (University of South Carolina Press, 2009), pp. 19–43.
67. Tara T. Green, ‘"When the Women Tell Stories": Healing in Edwidge Dantikat’s Breath, Eyes, Memory’, in Dana A. Williams (ed.), Contemporary African American Fiction: New Critical Essays (Ohio State University Press, 2009), pp. 82–98.
68. Jon Wallace, ‘The Politics of Style in Three Stories by James Alan McPherson’, Modern Fiction Studies, Spring 1998, 34, 1, 17–26.
Volume V
Part 11: Modern African American Poetry
69. George Kent, ‘Gwendolyn Brooks’ Poetic Realism: A Developmental Survey’, in Mari Evans (ed.), Black Women Writers (1950–1980): A Critical Evaluation (Anchor Books, 1973), pp. 88–107.
70. Aldon L. Neilsen, ‘Melvin B. Tolson and the Deterritorialization of Modernism’, Writing Between the Lines: Race &amp; Intertextuality (University of Georgia Press, 1994), pp. 48–70.
71. Michael Harper, ‘Every Shut-Eye Aint Asleep/Every Good-bye Aint Gone, Robert Hayden (1913–1990)’, Obsidian: Black Literature in Review, 1981, 8, 1, 9–15.
72. W. D. Snodgrass, ‘Robert Hayden: The Man in the Middle’, Field¸ 1992, 47, 20–30.
73. Robert B. Stepto, ‘After Modernism, After Hibernation: Michael Harper, Robert Hayden, and Jay Wright’, in Michael S. Harper and Robert B. Stepto (eds.), Chant of Saints: A Gathering of Afro-American Literature, Art, and Scholarship (University of Illinois Press, 1979), pp. 470–86.
74. Houston A. Baker, Jr., ‘"These Are the Songs if You Have the Music": An Essay on Imamu Baraka’, Afro-American Poetics: Revisions of Harlem and the Black Aesthetic (University of Wisconsin Press, 1988), pp. 111–39.
75. D. H. Melhem, ‘Sonia Sanchez: The Will and the Spirit’, Heroism in the New Black Poetry: Introductions &amp; Interviews (University Press of Kentucky, 1990), pp. 133–48.
76. Robert Elliot Fox, ‘Blue Syntaxopones: The Poetry of Bob Kaufman’, Masters of the Drum: Black Lit/oratures Across the Continuum (Greenwood Press, 1995), pp. 63–79.
77. Gloria T. Hull, ‘Living on the Line: Audre Lorde and Our Dead Behind Us’, in Cheryl A. Wall (ed.), Changing Our Own Words: Essays on Criticism, Theory, and Writing by Black Women (Rutgers University Press, 1989), pp. 150–71.
78. Pat Righelato, ‘Rita Dove and the Art of History’, Callaloo, 2008, 31, 3, 760–75.
79. Megan Simpson, ‘Trickster Poetics: Multiculturalism and Collectivity in Nathaniel Mackey’s Song of Andoumboulou’, MELUS, Winter 2003, 28, 4, 35–54.
Part 12: African American Drama
80. Margaret B. Wilkerson, ‘Lorraine Hansberry’, in Valerie Smith, Lea Baechler, and A. Walton Litz (eds.), African American Writers (Macmillan/Collier Books, 1993), pp. 121–31.
81. Sandra G. Shannon, ‘The Role of Memory in August Wilson’s Four-Hundred-Year Autobiography’, in Amritjit Singh, Joseph T. Skerrett, Jr., and Robert E. Hogan (eds.), Memory and Cultural Politics: New Approaches to American Ethnic Literatures (Northeastern University Press, 1966), pp. 175–93.
82. Andrea J. Goto, ‘African American Representations in the Plays of Suzan-Lori Parks’, in Kevin J. Wetmore Jr. and Alycia Smith-Howard (eds.), Suzi-Lori Parks: A Casebook (Routledge, 2007), pp. 106–23
Part 13: African American Autobiography
83. A. Robert Lee, ‘The Stance of Self-Representation: Founders, Moderns and Contemporaries in African American Autobiography’, Designs of Blackness: Mappings in the Literature and Culture of Afro-America (Pluto Press, 1998), pp. 24–49.
84. Eva Lennox Birch, ‘Maya Angelou: The Creation of a Positive Black Self’, Black American Women’s Writing: A Quilt of Many Colours (Harvester Wheatsheaf, 1994), pp. 121–48.

<div>Diese Buch bietet auf 280 Seiten einen guten Überblick über folgende Themengebiete: die Chemie und die Physik der Atmosphäre, das System Boden, das System Wasser(Meer und Binnengewässer) und die Einflüsse der wachsenden Menschheit. In den umfangreichen Hauptkapiteln werden unter anderem die Entwicklung, Gefährdung und die Folgen unterschiedlicher Zonen wie dem z.B. Wald näher beleuchtet.&nbsp;Der Autor legt hierbei großen Wert auf die exakte und vor allem verständliche Darstellung der Prozesse und Wirkungsgefüge. Leser können sich in diesem Buch auch über die Folgen von Eingriffen in Ökosysteme für die natürlichen Systeme und den Menschen ausgiebig informieren. Das Buch fasst die komplexen Zusammenhänge in der Ökologie für den Wissenschaftler, aber auch für den interessierten Laien anschaulich zusammen.&nbsp;</div>&nbsp;
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Ökologie

Wieso tragen Muslimas eigentlich Kopftücher? Und warum essen sie kein Schweinefleisch? Diese und viele andere Fragen beantworten die mehrfach preisgekrönten Datteltäter, die bei ihren über 600.000 Abonnenten auf sozialen Netzwerken für ihre satirische Auseinandersetzung mit dem Islam bekannt sind, in diesem Buch. Sie bieten jungen Leser:innen humorvolle Aufklärung von gängigen Vorurteilen und schildern unterhaltsam, witzig, vor allem aber aus erster Hand, wie sich das Leben als Muslim bzw Muslima anfühlt.
 Neben den persönlichen Antworten der einzelnen Datteltäter gibt es zu jedem Thema fundierte Infotexte des Theologen Dr. Souheil Thabti.

Ist Ramadan eigentlich wie Diät? Fragen ans deutsch-muslimische Empörium

Being the most active field in modern physics, Optical Physics has developed many new branches and interdisciplinary fields overlapping with various classical disciplines. This series summarizes the advancements of optical physics in the past twenty years in the following fields: High Field Laser Physics, Precision Laser Spectroscopy, Nonlinear Optics, Nanophotonics, Quantum Optics, Ultrafast Optics, Condensed Matter Optics, and Molecular Biophotonics.

Advances in Quantum Optics

Recht und Verwaltung

The European Regulation on Insolvency Proceedings and Germany=s own body of international insolvency law are becoming increasingly important in insolvency practice. The European Regulation on Insolvency Proceedings is shaped largely by the case law of the ECJ and of the national courts. This commentary examines both this case law and the way in which international insolvency law influences the nterpretation of German insolvency law. The commentary addresses the European Regulation on Insolvency
Proceedings, the provisions of art. 102c sections 1 et seqq. of the German Introductory Act to the Insolvency Statute (EGInsO]).

Europäische Insolvenzverordnung, Art. 102c EGInsO

Internationales Insolvenzrecht

Meri Meri Pop-up Books

The Bear Family Goes Camping&nbsp;is a stunning, high-quality board book made in partnership with children’s party brand Meri Meri,&nbsp;containing multiple paper-engineered elements to stimulate children’s imagination. &nbsp;

A pop-up playbook with sliders and surprises

The Bear Family Goes Camping

Feels Like Loss

Das Jugendalter

Jugend in Ausbildung und Beruf ist ein umfassendes wissenschaftliches und politisches Thema. Die Jugendforschung hat inzwischen ein differenziertes Verständnis von Jugend, ihrer Lebensphase, ihren Sozialisationsbedingungen und ihren Formen der Lebensführung entwickelt. Damit verbunden sind immer auch Fragen nach den Übergängen in Ausbildung und Beschäftigung, d.h. nach der wirtschaftlichen und sozialpolitischen Lage der Jugend. Das Buch zeigt aus historiographischer, theoretischer, empirischer und politischer Perspektive, wie sich das Konstrukt Jugend in Ausbildung und Beruf gewandelt hat und wie sich berufliche Anforderungen und jugendliche Erwartungen und Interessen wechselseitig beeinflussen.

Die Jugendlichen und ihr Verhältnis zu Ausbildung und Beruf

Collins Big Cat Phonics for Letters and Sounds

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A timely analysis of the personality and power of Vladimir Putin, and the way in which whatever the West think of him, he is the ruler Russians need.

Inside Russia's power cult

The Putin Mystique

Spektren

Im Januar 1896 veröffentlichte Popov einen Artikel, in dem er das Schema des weltweit ersten Radioempfängers offenbarte. Im Juni 1896 patentierte Guglielmo Marconi eine Erfindung, die das Schema des zuvor in der Publikation Popovs veröffentlichten Geräts wiederholte. Diese Aktion bewog den russischen Wissenschaftler zu einer Reihe von Stellungnahmen, in denen er sein Prioritätsrecht verteidigte. Zwar wurde er dafür auf dem Pariser Elektrotechnischen Kongress im Jahr 1900 geehrt, im öffentlichen Bewusstsein gilt jedoch bis heute Marconi wegen seines Patents als Erfinder des Radios. Der Band versammelt die wichtigsten Veröffentlichungen Popovs, die bis heute unbekannt geblieben sind.

Ausgewählte Schriften zur Erfindung des Radios

Radiotelegrafie

Colorful programming flash cards introduce the micro:bit hardware and programming through a series of interactive projects. The BBC micro:bit is an affordable, tiny electronics board developed to teach beginning programmers (especially kids) about coding and hardware. This small board hosts sensors, LEDs, wireless capabilities, and a small bundle of brains, and has been used in projects around the world, from displaying simple smiley face animations to being sent to space to take pictures. Micro:bit Coding Cards provide an interactive introduction to the micro:bit and computer programming in JavaScript. The cards teach beginning coding concepts like variables, logic, conditionals, and loops one step at a time. You can choose to do just a few cards a day, or work through the deck more quickly and tackle them in one sitting. These highly visual cards make concepts easy to follow and keep learning dynamic and fun. They begin by teaching a set of basic skills and then continue into a series of projects that increase in difficulty as you progress through the deck. You'll learn to use and combine hardware and sensors such as 25 individually-programmable LEDs, programmable buttons, physical connection pins, light and temperature sensors, and motion sensors and will learn exciting hacks like sending secret messages to other users and building a real-time visual temperature sensor. By creating and building your own projects, you will see just how fun learning to program can be!

Micro:bit Coding Cards

Phonics Cards

African American Writing

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