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Gesamtkatalog

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Routledge Studies in Media Theory and Practice

Worley T: African American Female
Leadership in Major Motion Pictures

African American Female Leadership in Major Motion Pictures

From Marginalized to Mainstream

As entertaining as it is enlightening, Creating Dialogue for TV: Screenwriters Talk Television presents interviews with five Hollywood professionals who talk about all things related to dialogue - from naturalistic style to the building of characters to swearing and dialect. 


Screenwriters/showrunners David Mandel (Curb Your Enthusiasm, Veep), Jane Espenson (Buffy, Battlestar Galactica, Once Upon a Time), Robert Berens (Supernatural), Sheila Lawrence (Gilmore Girls, Ugly Betty, The Marvelous Mrs Maisel), and Doris Egan (Tru Calling, House, Reign) field a linguist's inquiries about the craft of writing dialogue. This book is for anyone who has ever wondered what creative processes and attitudes lie behind the words they encounter when tuning into their favourite television show. It provides direct insights into Hollywood writers' knowledge and opinions of how language is used in television narratives, and in doing so shows how language awareness, attitudes and the craft of using words are utilised to create popular TV series. The book will appeal to students and teachers in screenwriting, creative writing and linguistics as well as lay readers.

Screenwriters Talk Television

Creating Dialogue for TV

BFI Film Classics

A classic of feminist avant-garde cinema, Laura Mulvey and Peter Wollen's Riddles of the Sphinx (1977) follows the life of Louise (Dinah Stabb), a white middle-class woman living in London in the 1970s, as she confronts the complex politics of motherhood, domestic labour and work. With a kaleidoscopic array of cinematic techniques and poetic devices, the film charts Louise's process as she questions her place within white patriarchal culture and finds her voice within the burgeoning Women's Liberation Movement. Reading Riddles as an essay film, Kimberly Lamm explores how it utilises voice, sound and writing to challenge Hollywood's dominant images of women and to portray maternal care as a legitimate form of work, rich in aesthetic pleasures and feminist possibilities. She examines the voice of the Sphinx, and, connecting it to feminism's engagement with psychoanalysis, argues that Mulvey and Wollen's film works-through long histories of patriarchal viewing practices and creates conditions in which the full range of women's voices can be listened to, heard and valued. Lamm explores how Riddles, the second collaboration between Mulvey and Wollen, drew inspiration from Wollen's influential work on 'counter-cinema' and Mulvey's foundational writing on 'the male gaze'.

Riddles of the Sphinx

BFI Screen Guides

In this follow up to their original 100 Cult Films volume, Ernest Mathijs and Xavier Mendik provide a guide to one hundred more incredible films, from the 1911 Italian silent Dante's Inferno to Ti West's horror trilogy X, Pearl (2022) and MaXXXine (2024). This richly illustrated guide addresses the work of filmmakers including Stanley Kubrick, Paul Verhoeven, Ana Lily Amirpour, Stephanie Rothman, Rob Reiner and Dario Argento, with movies hailing from Iran to Brazil, South Korea to Sweden, Japan to the USA, and from the high North to the Australian outback. 100 Cult Films: The Sequel presents an alchemy of genres including science-fiction, romance, horror, musical, vampire, comedy and action, and through the debates and controversies that surround them raises issues about identity, home, belonging, exoticism, censorship, and what it means to be truly 'weird'. By presenting 100 films that confirm and interrogate the notion of what makes a film a 'cult film', 100 Cult Films: The Sequel reignites the conversation about cult cinema while affirming its foundations in today's volatile and vibrant cultural climate.

The Sequel

100 Cult Films

My Brother Ashley Clark Has Broke It Down To What Black Film Was, Is Present Day, And What The Future Might Be. BLAK IZ BLAK. YA-DIG? SHO-NUFF. Enjoy This BLAK CINEMATIC SCIENCE. - Spike Lee This book belongs on the shelf of every film lover, every student of cinema, and everyone who believes in the transformative power of storytelling. It's a celebration, an education, and an inspiration all at once. - Julie Dash Resonant, exciting and eye-opening - one of the best books I've read about Black cinema. - Mark Cousins An indispensable guide for any film lover yearning to learn more about Black cinema. - GQ The World of Black Film is an entertaining, informed, and thought-provoking survey of important and influential Black films from around the globe. Starting with the unfinished silent comedy Lime Kiln Club Field Day (1913) and concluding with Steve McQueen's World War II epic Blitz (2024), this book takes readers on an exciting journey through an eclectic mix of classics and hidden gems spanning more than 100 years and 30 countries. Beautifully designed and bursting with eye-catching film imagery and poster art, this is essential reading for general film fans, enthusiasts of Black cinema, educators, and students alike. Includes a foreword by Sir John Akomfrah, CBE RA. Films and directors include: Black Orpheus (Marcel Camus, 1959) Black Girl (Ousmane Sembène, 1966) Hollywood Shuffle (Robert Townsend, 1987) Malcolm X (Spike Lee, 1992) Belle (Amma Asante, 2013) Timbuktu (Abderrahmane Sissako, 2015) Moonlight (Barry Jenkins, 2016) Black Panther (Ryan Coogler, 2018) Saint Omer (Alice Diop, 2022) Dahomey (Mati Diop, 2024) Blitz (Steve McQueen, 2024)

A Journey Through Cinematic Blackness in 100 Films With a Foreword by John Akomfrah

The World of Black Film

The Wes Anderson Collection

The official behind-the-scenes companion to Asteroid City and the latest volume in the bestselling Wes Anderson Collection series Asteroid City—the eleventh feature film from Academy Award–winning director Wes Anderson—follows a group of teen geniuses and their families as they attend the 1955 Junior Stargazers convention in the eponymous dusty hamlet. The events of the film, a representation of a fictional play, also titled Asteroid City, unfold in a parallel narrative to a televised broadcast of the creation of a theatrical production. As the lines between reality and theater blur, the audience is treated to stunning technicolor vistas and stark black and white sets, all while the promise of an extraterrestrial visit hangs overhead. In The Wes Anderson Collection: Asteroid City, the latest entry in The Wes Anderson Collection, cultural critic and New York Times bestselling author Matt Zoller Seitz presents the complete story behind the film’s conception via interviews with Wes Anderson and Jason Schwartzman and illuminating behind-the-scenes photos, ephemera, storyboards, models, miniatures, and artwork. Contributions from Tom Hanks, Jeffrey Wright, Bryan Cranston, Rupert Friend, Hope Davis, Stephen Park, and the Junior Stargazers themselves provide reflections on the film’s production and insight into the intricately layered characters.

The Wes Anderson Collection: Asteroid City

Melland Schill Perspectives on International Law

Why are constitutionalist ideals so prominent in science fiction? Does Independence Day depict self-defence as a legal concept with absolute limits? Is international law lost in space? This innovative interdisciplinary volume represents the first exploration of the relationship between international law and cinema. From Star Wars to Werner Herzog, The Godfather to The West Wing, this book uncovers a diverse range of representations of international law and its norms in film and television. Examining the wider links between international law, cinema and ideology, the contributions not only examine visual representations of international law, but they offer an essential insight into the functions fulfilled by these cinematic representations. Providing an extraordinary introduction to a variety of perspectives on core international legal questions, Cinematic perspectives on international law extends a valuable methodology by which international lawyers can critique the depiction of international law in film.

Cinematic Perspectives on International Law

The official art book for the movie Avengers: Age of Ultron, the 10th title reissue of the 24-book Marvel Studios: The Infinity Saga series published as a resized matching set.

Marvel Studios' The Infinity Saga - Avengers: Age of Ultron: The Art of the Movie

Richard Schickel's study of Billy Wilder's 1944 noir classic Double Indemnity traces in fascinating detail the genesis and realisation of the film: its literary origins in James M. Cain's hard-boiled crime novel, the difficult relations between Wilder and his scriptwriter Raymond Chandler, the casting of a reluctant Fred MacMurray, and the late decision to cut the expensively filmed execution sequence from the final release. Schickel places Double Indemnity in the context of early 1940s Hollywood and the emergence of a new kind of crime thriller that later became known as film noir. The film was a cornerstone of the genre: its script creates two unforgettable criminal characters, the cynically manipulative femme fatale Phyllis Dietrichson (Barbara Stanwyck) and the likeable but amoral Walter Neff (Fred MacMurray). Billy Wilder's direction enmeshes them in dramatic chiaroscuro, as bright California sunlight casts Venetian-blind shadows across dusty rooms and harsh lamplight slices through the night. In his afterword to this new edition, James Naremore pays tribute to Schickel's analysis of Double Indemnity and its contexts, and considers debates surrounding the film's conclusion.

Double Indemnity

Mikio Naruse's When A Woman Ascends The Stairs (1960) combines high melodrama with modernist film language, telling the story of Keiko, a bar hostess struggling to succeed in Tokyo's Ginza district. Catherine Russell's study of the film provides an in-depth analysis of Naruse's distinctive filmmaking, from his use of two-shots in confined spaces, unique lighting techniques, and his "invisible" and "rhythmic" editing style. She analyses the recurring motif of a woman's white-stockinged feet climbing stairs, considering how this symbolizes the social dynamics of the high-class Japanese sex industry that sustains hostess bar culture. Russell goes on to argue that the film is a "late" woman's film which engages with the institutional barriers to woman's success in postwar Japan. She situates the film within the trajectory of Naruse's career and analyses how his social critique is balanced with an aestheticization of a harsh and brutally gendered world, creating an affective tension that is symptomatic of Naruse's own position as an industrial worker.

When a Woman Ascends the Stairs (Onna ga kaidan o agaru toki)

Djibril Diop Mambéty's exuberant, inventive and urgent film Touki Bouki (The Journey of the Hyena) (1973) follows a young couple, Mory (Magaye Niang) and Anta (Mareme Niang), who dream of leaving their home in Dakar, Senegal for an imagined better life in Paris. Rosalind Galt's insightful study analyses Touki Bouki's cinematic worlds, from its narrative of postcolonial migration to its influence by international film style, both nonetheless grounded in African visual cultures and critical perspectives. Touki Bouki explores the intertwined histories of the postcolonial and the transnational, showing how the aesthetic and political ideas found in the experimentation of cinematic modernisms and New Waves are as African as they are European. Galt's study interweaves a conceptual framework of world cinema studies and anti/decolonial theory with close analysis of Touki Bouki's innovative audiovisual forms and its representations of desire and identity in postcolonial Senegal. Providing a detailed reading of the film's themes and cinematic style, she argues for its classic status and for its long-lasting influence on world cinema.

Touki Bouki

Sie war mehr als nur eine Stilikone: Audrey Hepburn berührte Millionen mit ihrer einzigartigen Mischung aus Anmut und unerschütterlicher Herzlichkeit. Ihre Filme sind Klassiker, ihr Lächeln unvergessen, und niemand sang Moon River je so bewegend wie sie. Doch Audrey war noch viel mehr als gefeierter Filmstar.In dieser berührenden Biografie öffnet Sean Hepburn Ferrer, ihr Sohn, das private Familienalbum und erzählt die wahre Geschichte seiner Mutter: von ihrer Kindheit im Schatten des Zweiten Weltkriegs über ihre Hollywood-Karriere und ihren Rückzug in die Schweiz mit ihrer Familie bis zu ihrem Engagement als UNICEF-Botschafterin. Er schildert Audreys Mut, ihre Verletzlichkeit und ihre bedingungslose Liebe, die nicht nur ihre Familie, sondern die ganze Welt inspiriert haben.Für Fans von Audrey Hepburn, Liebhaber:innen großer Biografien und alle, die in das Leben einer außergewöhnlichen Frau eintauchen möchten - authentisch, nahbar und zutiefst menschlich.<ul><li>Gefühlvolle Einblicke in Audreys Privatleben, erstmals erzählt von ihrem Sohn</li><li>Berührende Erinnerungen und bislang unbekannte Geschichten</li><li>Zahlreiche Fotos von Audrey Hepburns privaten Polaroidkameras</li><li>Das inspirierende Porträt einer Frau, die Generationen bewegt hat</li></ul>

Persönliche Einblicke in das Leben der Ikone | Liebevoll erzählt von Audrey Hepburns Sohn

Audrey

Founded by Star Wars creator George Lucas in 1975, ILM has won 16 Academy Awards in Best Visual Effects and pushed the boundaries of what can be visually realized in storytelling, from the big screen to emerging technologies such as streaming television, 3D immersive adventures, and more.

Industrial Light & Magic: 50 Years of Innovation

Oxford Studies in Digital Politics

Black Twitter is all at once a social media phenomenon, a place, and a people. Through interviews with Black social media users, news media analysis, and her own perspective as a Black Xennial journalist, Meredith D. Clark makes a definitive contribution on the digital legacy of Black media production in the 21st century. We Tried to Tell Y'all: Black Twitter and the Rise of Digital Counternarratives, offers both testimony and admonition to those whose sense of 'the Black experience in America' relies solely on news and entertainment media.

Black Twitter and the Rise of Digital Counternarratives

We Tried to Tell Y'All

African American Female Leadership in Major Motion Pictures

Autres titres de la collection: Routledge Studies in Media Theory and Practice

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