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Furlong A: Adaptation as Communication

Adaptation as Communication

Adaptors as Communicators

edition suhrkamp

Wer wissen möchte, wie es um den Westen bestellt ist, muss nur die James-Bond-Reihe befragen. 
 50 Shades of Grey
 lässt ein Aufblühen der Prüderie erkennen, und die Rückkehr des Autoritarismus haben bereits 
 Star Wars
 und die diversen Verfilmungen von Marvel-Comics vorweggenommen. Vor allem große Blockbuster führen uns die herrschenden Ideologien unserer Zeit vor Augen. Doch wenn wir bloß schauen, sehen wir sie nicht.
 
 Wolfgang M. Schmitt zeigt, wie uns der Film - gerade dank seiner Künstlichkeit, der Montage, Stars und Spezialeffekte - einen anderen, mit der Brille der Fiktion geschärften Blick auf die Realität und auf uns selbst eröffnet. Sein ungewöhnlicher Ratgeber ist eine Liebeserklärung an Hollywood und zugleich ein flammendes Plädoyer für ein ideologiekritisches, kontraintuitives Sehen.

Mit Filmen sehen lernen

Walter Benjamins früher Versuch zum Verständnis einer immer noch jungen Technik, der auch heute noch verblüffend aktuell ist.

"Nicht der Schrift-, sondern der Photographieunkundige wird der Analphabet der Zukunft sein." Benjamins Aufsatz, 1931 in zwei Teilen in der Zeitschrift Literarische Welt veröffentlicht, war eines der frühesten Essays zu dieser Technik und weist zugleich auf seine berühmte Abhandlung "Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit" (1935) hin.

Walter Benjamin. Kleine Geschichte der Fotografie

Einführungen in die Sprachwissenschaft

Der Band führt in die zentralen Bereiche und Themen der Pragmatik ein – mit Hinweisen auf deren formale Modellierung. Neben klassischen Themen wie Implikaturen, Präsuppositionen und Sprechakten werden auch theoretische Aspekte wie der Begriff des Common Grounds und die Strukturierung des Diskurses mittels expliziter oder impliziter Fragen (
 Questions underDiscussion
 ) vorgestellt. Darauf aufbauend präsentiert der Band auch komplexere Phänomene wie Pronomenauflösung oder referentielle Bewegung, die wesentlich sind, um die Schnittstelle zwischen Semantik und Pragmatik zu charakterisieren.

Eine Einführung

Pragmatik

Fast dreißig Jahre lang bestand die Freundschaft zwischen Alain Robbe-Grillet und Roland Barthes. Sie begann 1953 mit einem Brief, in dem Barthes den Roman »Die Radiergummis« als »gelungen«, weil »avantgardistisch« charakterisierte. Im Laufe der folgenden Jahrzehnte entwickelte sich eine enge Beziehung zwischen dem Romancier, der in dem Theoretiker den Schriftsteller lobte, und dem Semiologen, der im Romanautor den praktizierenden Philosophen der »écriture« schätzte. Die hier zum ersten Mal publizierten Stellungnahmen von Alain Robbe-Grillet zu Roland Barthes zeigen das Spannungsfeld zwischen der Lust am Text und der Lust am Spiel mit der Fiktion, in dem sich die französische Literatur in der zweiten Hälfte des 20. Jahrhunderts entwickelte.

Warum ich Roland Barthes liebe

Palgrave Studies in Animals and Literature

This book aims to enhance our intellectual understanding of the relationship between human beings and domestic animals, with a focus on a specific breed of dog: the greyhound. It combines literary criticism, cultural history and the rapidly expanding field of human/animal studies by tracing the creative representation of the greyhound, from the earliest references in classical myth to multiple appearances in contemporary literature, performance and the fine arts. Each representation—whether of hunter or racer, of pet or predator—is treated not simply as a stage in some inevitable humanitarian progression but as part of a series of co-evolutionary exchanges between humans and their canine collaborators that together constitute a shared experience.Writers who have been fascinated by greyhounds range from Shakespeare to Dryden, from William Wordsworth to George Meredith, from Marcel Proust to Colette, from William Butler Yeats to Ted Hughes and beyond. The haunting image of the breed has inspired artists such as Dürer, Hogarth and Giacometti.&nbsp;John Stokes&nbsp;is Emeritus Professor of Modern British Literature in the Department of English at King's College London, UK. His publications include&nbsp;In the Nineties&nbsp;(1990),&nbsp;Oscar Wilde: Myths, Miracles and Imitations&nbsp;(1996) and&nbsp;The French Actress and her English Audience&nbsp;(2005), as well as numerous academic articles and reviews. He co-edited&nbsp;The Cambridge Companion to the Actress&nbsp;(2007) and two volumes of journalism for&nbsp;The Complete Works of Oscar Wilde&nbsp;(2013). He is a regular reviewer for the&nbsp;Times Literary Supplement.

The Cultural Lives of Greyhounds

Walter Benjamin's early attempt to understand a still young technology, remarkably prescient and topical even today.

"The illiterate of the future [...] will not be the man who cannot read the alphabet, but the one who cannot take a photograph." Benjamin's essay, published in two parts in the periodical Literarische Welt in 1931, was one of the earliest essays on this technology and precedes his better-known essay "The Work of Art in the Age of Mechanical Reproduction"(1935).

Walter Benjamin. A Little History of Photography

Gut lesbare Einführung, die Studierende und auch Märchenliebhaber/innen ansprechen soll. Der Schwerpunkt liegt auf dem Volksmärchen mit einem Ausblick auf das Kunstmärchen. Vertiefungskästen liefern Ausblicke auf Weiterführendes wie z.B. narratologische Aspekte, kulturwissenschaftliche Positionen (z.B. zu Alterität etc.).

Märchen

Modern and Contemporary Poetry and Poetics

'Rich in detail, sensitive to the intermedial dialogue of Graham's poetics, and with the keen eye for form of a practicing poet, this book will offer readers a new, thoughtful way into the extremely self-consciously constructed space of Graham's poetry.'

Hugh Foley, author of Lyric and Liberalism in the Age of American Empire

'A probing, artful and original exploration of one of our most enigmatic twentieth-century writers.'

Natalie Ferris, author of Abstraction in Post-War British Literature 1945-1980

'Buchan-Watts gives us a newly contemporary poet, a Graham in sustained conversation with his own moment and ours.'

David Herd, author of Writing Against Expulsion in the Post-War World

This monograph considers the formal vitality of lyric in the face of anxieties about linguistic agency across the corpus of the British poet, W. S. Graham. A sophisticated modernist lyric originates, the book argues, in Graham's rendering of self-consciousness at&nbsp;different strata&nbsp;across&nbsp;space, sound, image and form -&nbsp;as distinct from a more general lyric subject or ego. By listening closely to the poems, the book seeks to identify&nbsp;the self-sufficiency of Graham's lyrics, and their ability to account for themselves theoretically on their own terms. Archival material - including worksheets, manuscripts and notebooks - is used to examine Graham's visual and spatial conception of verse and his ambivalent relation to verse form. Graham's propositions are considered in the context of broader theoretical debates about modern lyric and a slipstream of mid-century poets (namely William Empson and Veronica Forrest-Thomson). The book concludes with a sustained analysis of Denise Riley's long-term engagement with Graham's poetry, which suggests how Graham's generative approaches to lyric can be further politicised. &nbsp;&nbsp;

Sam Buchan-Watts&nbsp;is a Leverhulme Early Career Fellow in Fine Art at Newcastle University, UK. He is the author of the poetry collection&nbsp;Path Through Wood (Prototype, 2021) and co-editor of&nbsp;Try To Be Better&nbsp;(Prototype, 2019), a creative-critical engagement with W. S. Graham.&nbsp;

W. S. Graham and Lyric Self-Consciousness

Semiotics, Communication and Cognition [SCC]

This book provides an intensive interdisciplinary study of Modeling Systems Theory (MST), a significant post-modern theoretical framework that transcends the long cold war between the Saussurean and the Peircean traditions of the studies of the sign. In most academic attempts to adopt a semiotic approach to complex diverse human cultural phenomena, academics generally tend to choose discretely from the Peircean and the Saussurean traditions and conduct dispersive analyses from isolated perspectives via such basic concepts as sign, text, code and metaphor. This practice not only leads to the frequent occurrence of repetitions, contradictions and partiality, but also excludes the semiosic Subject. However, as this book attempts to argue, the late world-renowned American scholar Thomas A. Sebeok (1920-2001), with his unique thought on semiotic modeling, created an integrated research framework and provided semiotics with a unified theoretical system that transcends both traditions and particularly accentuates the dynamic pluralism of the Subject. One of the most important contemporary semioticians, linguists and masters of cultural studies, Sebeok made enormous contributions to the progress of world semiotics through his distinguished theoretical achievements and practical activities, which have extended a determinative influence on laying the groundwork and pointing out the directions for the development of semiotics, especially biosemiotics, in the second half of the 20th century. The scope of Sebeok's trans-disciplinary semiotic thought is extraordinarily large, in the center of which lies Modeling Systems Theory. As this book will show, MST has perfectly demonstrated a dialectic globality and an open dialogism and has already become a significant subject matter of contemporary international semiotic studies. Sebeok's reformation of the critical Lotmanian concept of modeling has indeed made a significant contribution to our common cause of semiotic inquiries, especially cognitive semiotics. However, contemporary studies on Sebeok's thought on modeling are largely confined to introductions and applications. Seldom has the possibility arisen that they can also be tested, expanded and refined through interactions and collaborations with other research findings in order to remain a living system and become a more functional one. This conviction has directly inspired the author to incorporate into semiotics the latest confirmed discoveries in neurocognitive sciences, particularly cultural neuroscience, and thus formulate that the process of semiosis has an effective deep-shaping power over the individual human modeler. Put another way, aside from the long established Pericean belief that signs philosophically and epistemologically make us what we are, it should be noted that the behavior of modeling actually influences and even alters the organic make-up and biological structure of the human body, in particular the human brain. In a nutshell, we literally live by models. This book argues that the birth of MST actually underwent two critical transformational phases, from Sebeok's early responses to the Tartu-Moscow School in the 1970s, all the way up to the eventual proposal of the concept of models as the forms of meaning in the year of 2000. In addition, through a diachronic contrast between the two developmental phases of the Sebeokian view of modeling, and in-depth analyses of the taxonomy and the dimensionality of modeling, this book shows that MST has achieved the first genuine systematic merging and creative transcendence of the Saussurean and the Peircean traditions in the history of semiotic inquiries, successfully actualizing an internal-external semiosic integration. MST views meaning as an internal model and the generation of the former as the working of the latter. Based on this ground and some latest relevant findings of neurocognitive sciences and social psychology, this book holds that the generation of meaning is a dynamic Subjective process of semiosis. This conclusion consists of two closely interrelated facets: the semi-autonomy of meaning generation and the deep dynamic co-shaping effect between the Subject and its models in meaning generation. Extending this conclusion, this book proceeds to argue that there is a relationship of co-shaping coevolution between culture and humans. Meanwhile, this book comments on and analyses the methodological features of MST and Sebeok's contradictions and also provides a corresponding solution as well as directions for future research. The whole book also features critical analyses of quintessential Eastern and Western sociocultural practices and fictional narratives through the conceptual framework of Modeling Systems Theory, based on the author's own recent researches on MST, as a critical application that sheds new light on modeling, communication and cognition, which highlights the significance of subjectivity, the plurality of meaning generation, the dynamic nature of Umwelten, and shared emotions in human modeling activities. Two representatives have been chosen as cases in point to study fictional narratives, viz. fiction and movies. The above-mentioned interdisciplinary critiques, synthesis and applications in this book bring to light sa hidden fundamental mechanism that underlies the diversified manifestations of sign activities in and across different human societies and cultures. It is also believed to be able to facilitate the understanding of human cognition and communication from a dynamic semiotic perspective. The book can be used as a reference book for readers who are interested in the fields of semiotics, linguistics, literary theory, cognitive sciences, communication, cultural studies, and so on.

An Interdisciplinary Study in Modeling Systems Theory

Living by Models

Historische Dialogforschung

Diskurstraditionen sind ein Kernkonzept historischer Pragmatik, die Sprachgeschichte als Kulturgeschichte erforscht. Im Zentrum stehen Traditionen, die in altspanischen Texten die Gestaltung von Fragen und Antworten im Gespräch anleiten. In Engführung mit linguistisch-philologischen Studien wird ein Modell der (historischen) Pragmatik entwickelt, das universelle Prinzipien und Traditionen des Sprechens in ihren Interaktionen systemhaft erfasst.

Studien zu altspanischen Texten

Historische Pragmatik und Diskurstraditionen des Gesprächs

Band 1 bietet eine kompakte fachwissenschaftliche Einführung in das kinder- und jugendmediale Erzählen. Neben definitorischen Annäherungen ist ein Analyseinstrumentarium enthalten, das zu einem transmedialen und transgenerischen Verständnis von Kinder- und Jugendmedien dient.

Adaptation as Communication

Informations bibliographiques

Mots-clés

Informations bibliographiques

Mots-clés

Autres titres sur ce thème