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Catalogue complet

20 Tunes in Basic Styles for Saxophone

Saxophon. Spielbuch

Stormy Blues - Latin Moon - Klezmer's Tune - Reggae Afternoon - Hungarian Fire - Woddstock Beat - Salsa and Jam - One Man Big Band - My Little Chico - Sunset Bossa - Spanish Romantic - Italian Morning - In the Motion - Gluesy Jamble - French Silk - Swinggeridoo - Aquarelle - Quasi Modo Polka - Irish Flying Legs - Swing Joker

Bloomsbury Neo-Latin Series: Early Modern Texts and Anthologies

A Latin Poem on Islam from Ottoman Istanbul

Isaac Barrow's On the Turkish Religion

The Beatles, the Beach Boys, and the Invention of the Sixties —or, No Sense Makes Sense

The Musical Lives of Charles Manson

Get an intimate and exclusive look at the instruments of the beloved Irish guitarist, Rory Gallagher, in this stunningly photographed official volume. When it comes to guitar heroes, Rory Gallagher is considered one of the greats, a “player’s player” forever linked with his iconic, well-worn 1961 Stratocaster. But like most virtuosos, Gallagher owned many noteworthy guitars, more than 40 of which are featured in this breathtaking collection, along with selected amplifiers, effects pedals, mandolas, and mandolins.&nbsp; Photographed in cooperation with Bonhams before the 2024 auction of the collection, the gear spans Gallagher’s entire career and showcases instruments from all the major manufacturers. Exquisitely detailed photography of the instruments by guitar photographer Eleanor Jane is accompanied by authoritative text from guitar historian Julien Bitoun, including interview material with Rory's brother and manager, Donal, as well as archival photography from the Gallagher family.&nbsp; In addition to the legendary ’61 Strat, Gallagher’s Guitars includes: <ul><li>1958 backup Stratocaster</li><li>1966 Fender Telecaster</li><li>1959 Fender Esquire</li><li>1968 Martin D-35</li><li>1968 Gibson Les Paul Junior</li><li>1959 Gretsch Chet Atkins</li><li>1965 Airline “JB Hutto”</li></ul> And that’s just a small sampling. Even Rory’s first guitar is included. In addition to major manufacturers like Fender, Gibson, Gretsch, Rickenbacker, National, Vox, Martin, and Marshall, the collection includes pieces from names that grab the attention of discerning gearheads and collectors—Airline, Teisco, Mosrite, Stella, Silvertone, Kay, Guyatone, and Supro.&nbsp; This carefully curated and display-worthy book is a fitting tribute to the life and career of one of the most revered guitarists of the rock era.

The Rory Gallagher Collection

Gallagher's Guitars

Stranded In The Future

The Great Albums

Take a deep dive into legendary hip-hop group Run-DMC’s groundbreaking album, Raising Hell, on its 40th anniversary with this handsome slipcased celebration. In 1985, Queens, New York–based rap group Run-DMC teamed with heavy metal producer Rick Rubin to record their breakthrough album and one of the most influential songs in rap and rock. The album, Raising Hell, went double platinum and sold over 3 million copies. The song, a collaboration with rock group Aerosmith covering that band’s 1975 hit “Walk This Way,” is credited with pushing hip-hop into the mainstream and launching the rap-rock genre. In Run DMC and Raising Hell: 40 Years, noted&nbsp;hip-hop historian JayQuan examines every aspect of the release, including:&nbsp; <ul><li>A look back at the group’s career prior to 1986</li><li>Track-by-track analyses of each side</li><li>Figures associated with the group and the release, such as producer Rick Rubin</li><li>The supporting tour and promotional efforts that followed the album’s release</li><li>The group’s career after the LP</li></ul> JayQuan draws heavily from his interviews with key figures, including surviving group members Joseph "Run" Simmons and Darryl "DMC" McDaniels, as well as studio and label personnel. Illustrated with performance and off-stage photography, as well as select memorabilia, this beautiful slipcased hardcover is the ultimate word on a work that had a towering impact on both rap and rock and is an essential addition to the collection of any fan. The Great Albums series presents authoritative explorations of rock’s most revered records, beautifully packaged for fans to treasure. Delve into even more groundbreaking releases with: Pink Floyd and The Dark Side of the Moon, The Who &amp; Quadrophenia, Prince and Purple Rain, Queen &amp; A Night at the Opera, Bruce Springsteen and Born to Run, Rush and 2112, and many more to come.

40 Years

Run-DMC and Raising Hell

The Stories Behind Every Beatles Song

A Hard Day's Write

Ashgate Popular and Folk Music Series

What musical elements define the unmistakable, yet constantly evolving, 'U2 sound'? This book addresses this question in a three-tiered music -theoretical dissection of the band's unique sound. Endrinal's analyses reach beyond the traditional focus on melody, harmony and rhythm, drawing on new computer assisted analytical techniques to explore texture, timbre and instrumentation. More than a study of one band, then, this book offers new analytical methods for the study of popular music.

Let Me In The Sound

The Sonic Signature of U2

Heartland Rock and the Fight for America

Won't Back Down

How are comics and Latin elegy related? Comics tell their stories by placing individual images in a sequence, and Latin elegy builds narrative through sequence, encouraging readers to connect poems in order to reveal narrativity. Despite this, there has yet to be a definitive methodology that inspires readers to examine the function of this narrative tool. Examining Ovid's Amores, Swain argues a comics-based methodology can offer us important new insights into the ancient genre of Latin elegy. This book applies theories such as the gutter (the space that exists between two comics panels), Groensteen's braiding (the interaction of panels outside of a linear sequence), and the comics page-turn, all to release new readings that reveal the narrative found across the three books of this text. By analysing the way that Ovid creates a complex narrative mosaic in which key characters and motifs repeat across poems, this book explores how story segments are connected into a larger unified narrative.

Comics Theory, Elegy, and Segmentary Narrative

Narrative in Ovid's Amores

A Selection

Sicco Polenton, Lives of the Famous Latin Authors

Providing the first edited text, translation and commentary of two Renaissance dream-narrative satires, this edition sheds light on the period's literary history and reception of classical texts. Cleophilus' De coetu poetarum (first printed 1483-1485) and Iustus Lipsius' Somnium (first printed 1581) are both framed as dreams in which their authors encounter ancient authors and compare ancient literary works to the deplorable state of literature in their own times. They belong to a tradition of reflections on the characteristics of literature and the value attached to it over time, while also themselves imitating ancient poetic structures. Lipsius' Somnium, written in a mixture of prose and verse that characterises the so-called Menippean satire, has attracted much scholarly attention as a central text in the tradition of satirical dream narratives that held sway in Humanist circles from the late sixteenth century onwards. By contrast, Cleophilus' elegiac poem has long been neglected by scholars, even though its wide contemporary popularity and importance as an early forerunner of this satirical tradition can be seen from later works such as Dante's Divine Comedy. This edition makes these two important texts more accessible and allows their assessment side by side, thereby contributing to a deeper understanding of Renaissance-Humanist satire and the wider development of literary history as well as the reception of classical literature in the early modern period.

Dreaming of the Literary Tradition

Cleophilus’ De coetu poetarum and Iustus Lipsius’ Somnium

On June 13, 1753 the Irene set sail from London to New York. One of her passengers was Christian Wedsted, a Moravian missionary headed to his post in Bethlehem, Pennsylvania. While many travelers would chronicle their transatlantic journeys, Wedsted chose to recount his in 200 lines of Latin poetry, imitating the preferred form of the ancient Roman poet Ovid. This poem is one of about 45 Latin poems that Wedsted composed in Germany, England, and Pennsylvania, all of which are presented here together for the first time alongside translations into English. A critical introduction and commentary provide historical, literary, and religious context for Wedsted's poetry, across an oeuvre containing birthday poems, impassioned religious verses, and personal anecdotes about life in colonial Pennsylvania. At around 1200 lines, the poems make up one of the largest extant collections of 18th-century Latin poetry from the Americas. Moravian piety is central to Wedsted's identity, and he exchanges poems with important Moravian personalities, weaving together classical material and Christian material to create an original and unique project in colonial America. Many of the poems are experiments in genre that put ancient models and meters to work in new contexts. Half of the poems were written after his arrival in America, and as such they offer a rare window into life on the colonial frontier.

The Latin Poems of Christian Wedsted

20 Tunes in Basic Styles for Saxophone

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