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Reznick Jeffrey S.: War and Peace in the
Worlds of Rudolf H. Sauter

War and Peace in the Worlds of Rudolf H. Sauter

A Cultural History of a Creative Life

Children of the Third Reich

Dark Pasts, Golden Futures

Bloomsbury Studies in Modern Architecture

The Colombian architectural firm ESUS (Esguerra, Saenz, Urdaneta y Samper) played a key role in the development of modern architecture in Colombia during the mid-20th century. Notable for their technical innovation, elaborate language and careful execution, ESUS' buildings also carry broader significance in terms of our understanding of how the international ideals of architectural modernism were adapted to local Latin American contexts. Yet until now there has existed no English-language study of their architecture and legacy. 
Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book examines ESUS' work from an array of perspectives including the technological, formal, material, urban, and global, showing in particular how their high-rise concrete buildings contribute to new understandings of the history of concrete architecture. 
Including previously unpublished archival documents, images, and drawings, this is an important new account in the expanding scholarly history of modernism in Latin America.

The Colombian architectural firm ESUS (Esguerra, Saenz, Urdaneta y Samper) played a key role in the development of modern architecture in Colombia during the mid-20th century. Notable for their technical innovation, elaborate language and careful execution, ESUS’ buildings also carry broader significance in terms of our understanding of how the international ideals of architectural modernism were adapted to local Latin American contexts. Yet until now there has existed no English-language study of their architecture and legacy. 
Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book examines ESUS’ work from an array of perspectives including the technological, formal, material, urban, and global, showing in particular how their high-rise concrete buildings contribute to new understandings of the history of concrete architecture. 
Including previously unpublished archival documents, images, and drawings, this is an important new account in the expanding scholarly history of modernism in Latin America.

Architectural Ideals in Modern Colombia

Esguerra Sáenz Urdaneta Samper

Popes and the Papal Court, 1503-1655 is the first book-length account of the early modern papal court in English. As well as bringing together art historical, social, and political studies in several languages, it contains a wealth of primary source material, such as advice manuals for cardinals and aspiring courtiers, accounts of Roman festivals, reports of visiting ambassadors and news reports from Rome deposited in the Vatican library. The book argues that during the 16th and 17th centuries, popes were conscious to varying degrees of their responsibilities to conserving and enhancing the status of the monarchy as something larger than themselves as individuals or their families, and as such they exhibited some characteristics of dynastic monarchies. Toby Osborne explores how the culture of the papal court and the ways in which it functioned as a point of contact between the ruler, certain elites, and other princes not only had similarities with dynastic states, but also set the standard for court life around Europe. By bringing to light recent scholarship written by continental historians, Popes and the Papal Court, 1503-1655 represents an important contribution to the scholarly endeavour to better understand the political culture of the papal states and the workings of the papal monarchy. As such, it will be illuminating reading for all students and scholars interested in early modern court history.

Popes and the Papal Court, 1503-1655 is the first book-length account of the early modern papal court in English. As well as bringing together art historical, social, and political studies in several languages, it contains a wealth of primary source material, such as advice manuals for cardinals and aspiring courtiers, accounts of Roman festivals, reports of visiting ambassadors and news reports from Rome deposited in the Vatican library.

The book argues that during the 16th and 17th centuries, popes were conscious to varying degrees of their responsibilities to conserving and enhancing the status of the monarchy as something larger than themselves as individuals or their families, and as such they exhibited some characteristics of dynastic monarchies. Toby Osborne explores how the culture of the papal court and the ways in which it functioned as a point of contact between the ruler, certain elites, and other princes not only had similarities with dynastic states, but also set the standard for court life around Europe.

By bringing to light recent scholarship written by continental historians, Popes and the Papal Court, 1503-1655 represents an important contribution to the scholarly endeavour to better understand the political culture of the papal states and the workings of the papal monarchy. As such, it will be illuminating reading for all students and scholars interested in early modern court history.

The Keys to the Kingdom

Popes and the Papal Court, 1503-1655

Hart Studies in Constitutional Law

This book articulates and defends a sceptical general account of parliamentary sovereignty.

It challenges the orthodox approach to this fundamental doctrine by making three key heretical claims. First, there are some laws that Parliament cannot make. Second, there are several ways in which primary legislation can be overridden or set aside by institutions other than Parliament. And third, Parliament has the power to bind itself as to the substance of future legislation. All three positions are developed using arguments which depend on existing legal materials and are compatible with the normative underpinnings of the doctrine of parliamentary sovereignty. 

The book combines theoretical and doctrinal analysis. The theoretical part of the book situates Parliament's authority to legislate in the broader context of an examination of constitutional and political authority. It develops a conception of the ways in which competing views on the scope of Parliament's legislative authority are mediated into law. The doctrinal part of the book reconsiders Parliament's legal position. It proposes a novel conception of Parliament's power to bind itself, rooted in the idea of commitments. It defends the existence of a judicial power to impose narrowly conceived freestanding limits on Parliament's law-making authority, rooted in the rule of law. Finally, the book examines the challenges posed to parliamentary sovereignty by both its internal procedures and the devolved legislatures.

This book articulates and defends a sceptical general account of parliamentary sovereignty.

It challenges the orthodox approach to this fundamental doctrine by making three key heretical claims. First, there are some laws that Parliament cannot make. Second, there are several ways in which primary legislation can be overridden or set aside by institutions other than Parliament. And third, Parliament has the power to bind itself as to the substance of future legislation. All three positions are developed using arguments which depend on existing legal materials and are compatible with the normative underpinnings of the doctrine of parliamentary sovereignty. 

The book combines theoretical and doctrinal analysis. The theoretical part of the book situates Parliament’s authority to legislate in the broader context of an examination of constitutional and political authority. It develops a conception of the ways in which competing views on the scope of Parliament’s legislative authority are mediated into law. The doctrinal part of the book reconsiders Parliament’s legal position. It proposes a novel conception of Parliament’s power to bind itself, rooted in the idea of commitments. It defends the existence of a judicial power to impose narrowly conceived freestanding limits on Parliament’s law-making authority, rooted in the rule of law. Finally, the book examines the challenges posed to parliamentary sovereignty by the executive, Parliament’s internal procedures and the devolved legislatures.

A Sceptical Restatement

Parliamentary Sovereignty

Russian Shorts

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.

Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. 

Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.

Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. 

Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Vasily Surikov, Viktor Vasnetsov, and the Remaking of the Past

Russia's History Painters

Harvard Series in Ukrainian Studies

A collection of texts in Latin, Hebrew, Church Slavonic, and Arabic, and their English translations, Jews in Old Rus' offers unique insight into Slavic-Jewish relations, realigns the position of East European Jews within the larger diaspora of European Jews, and adds nuance to our understanding of the difficult relations Rus' had with Khazaria.

A collection of texts in Latin, Hebrew, Church Slavonic, and Arabic, and their English translations, Jews in Old Rusâ€™ offers unique insight into Slavicâ€“Jewish relations, realigns the position of East European Jews within the larger diaspora of European Jews, and adds nuance to our understanding of the difficult relations Rusâ€™ had with Khazaria.

A Documentary History

Jews in Old Rus’

This book presents an all-encompassing way to understand lobbying: the 'Diversion Guide'. This shows that lobbying is problematic when institutions are diverted from acting in the public interest. It reveals why diversions happen, how they are linked together, and what can be done to prevent them. The reader can use the 'Diversion Guide' to identify any problem about lobbying, and test when an officeholder has been diverted from acting in the public interest. The book examines how lobbying can encourage citizen participation and lead to informed law and policy, but is not always fair. It considers the way in which wealthy and influential people can gain greater access to the United Kingdom's political system than most to shape the laws that govern everyone. Scandals are often reported in the media surrounding unequal access, corruption, the revolving door, and more. Unchecked, such lobbying corrodes trust in public institutions. It is vital that the problems surrounding lobbying are clearly understood to avoid a system of weak regulations and to ensure that better regulations are created to restore public trust in politics. The 'Diversion Guide' can be used to this end.

This book presents an all-encompassing way to understand lobbying: the ‘Diversion Guide’. This shows that lobbying is problematic when institutions are diverted from acting in the public interest.  It reveals why diversions happen, how they are linked together, and what can be done to prevent them. The reader can use the ‘Diversion Guide’ to identify any problem about lobbying, and test when an officeholder has been diverted from acting in the public interest. 

The book examines how lobbying can encourage citizen participation and lead to informed law and policy, but is not always fair. It considers the way in which wealthy and influential people can gain greater access to the United Kingdom’s political system than most to shape the laws that govern everyone. Scandals are often reported in the media surrounding unequal access, corruption, the revolving door, and more. Unchecked, such lobbying corrodes trust in public institutions. 

It is vital that the problems surrounding lobbying are clearly understood to avoid a system of weak regulations  and to ensure that better regulations are created to restore public trust in politics. The ‘Diversion Guide’ can be used to this end.

An Institutional Diversion Framework

Lobbying, Democracy and Public Trust

A History of the Irish Famine

How do we study the sonic nature of war when very few of these sounds remain? World War One has left little sonic trace other than the popular music of the time. The sounds of World War One extended beyond sounds of entertainment and into the killing fields of the Western Front, the oceans of the world, and for the first time into the skies with the development of aviation. But beyond this, they entered into peoples homes, their streets, and indeed their thoughts, emotions, and feelings. Book-length studies exist on the sounds of many other recent major wars, but there is a lack of sonic coverage of World War One. Here, Michael Bull investigates the sounds of war as experienced by those who participated in it by drawing upon a wide range of written testament of the time. These written "voices" are subjective, living memories expressed as fragmentary, often unreliable testimony but provide us with the only living sonic testimony of the time. The book filters these accounts through the technologies of "total war," from the trench whistle to the tank, from the newly developed airplane to the submarine. It asks: how did the wartime population experience these sounds and what were the physical and cognitive consequences of the implementation and use of these often invasive technologies of destruction, instruction and sometimes protection? In doing so, the the book re-evaluates just how we should understand the sounds of World War One and the sounds of war more generally.

The Sonic Experience of World War One

Bloomsbury Adaptation Histories

Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time. The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958).

The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958). Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time.

1946-59

Post-war Adaptations

An unconventional, brilliant new biography of composer Claudio Monteverdi - from the bestselling biographer and acclaimed conductor John Eliot Gardiner.

Monteverdi and His Constellation

Not since Antonia Fraser's major biography (1975) has there been a life of Cromwell so sympathetic to its subject and based on so many years of scholarship and research. As General Editor for Oxford University Press of the five-volume edition of all the recorded words (writings and recorded speech acts) of Oliver Cromwell, Professor Morrill is perfectly equipped to write this biography. He argues that Cromwell has been seriously misinterpreted by historians, not least by left-wing thinkers such as Tony Benn, who claim Cromwell as their own and thus misunderstand the nature of Cromwell's political thought. This was a product of his religious ideas, and, argues the author, in this Cromwell was entirely sincere. After the Siege of Drogheda he murdered 3,000 people and Catholic clergy and the religious were killed on sight. He cast a long shadow over Irish history which appears to many to verge on genocide, but with this and the signing of the act of execution of Charles I, Cromwell never doubted that he was doing God's will. Morrill's book sheds exciting new light on Cromwell, both political and religious, and is based on the latest scholarship of the highest quality. Morrill argues against contemporary critics and claims that Cromwell was a man of fundamental sincerity and devotion to high Puritan principles.

Oliver Cromwell is one of the most significant figures in British history - and one of the most misinterpreted. 

In this major new biography, John Morrill argues that Cromwell has been seriously misinterpreted by historians, not least by left-wing thinkers such as Tony Benn, who claim Cromwell as their own and thus misunderstand the nature of Cromwell's political thought, which was in fact a product of his religious ideas. And in this, asserts Morrill, Cromwell was entirely sincere.

With new research and insight, this exploration of his life reveals a man who never doubted that he was doing God's will - which included murdering over 3,000 people, among them Catholic clergy, after the Siege of Drogheda, ordering the religious killed on sight, and signing Charles I's execution order. Morrill also looks at the long shadow Cromwell cast over Irish history, with policies that have been accused of verging on genocide. 

He sheds exciting new light on Cromwell, both political and religious, with analysis that is based on the latest scholarship of the highest quality, arguing against contemporary critics and claiming that Cromwell was a man of fundamental sincerity and devotion to high Puritan principles.

The brave, bad man of British history

Oliver Cromwell

War and Peace in the Worlds of Rudolf H. Sauter

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