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Dreckmann K: The Power of Pop (Culture)

The Power of Pop (Culture)

Cultural Imagery and Media Aesthetic Concepts

Leonardo da Vinci, Goethe, E.T.A. Hoffmann, Darwin, Nietzsche, Gustav Adolph Lindner mit seiner Assoziationspsychologie und Christian von Ehrenfels, Alfred Adler, Manès Sperber, Heinz Politzer. Im Fokus der vorliegenden Untersuchungen stehen geistige Beziehungen und Berührungen mit einem der einflussreichsten Denker der europäischen Moderne, stehen aber auch Bezugnahmen zwischen Anziehung und Abstoßung auf seine Erfindung: die Psychoanalyse. Offengelegt werden zunächst wichtige Wurzeln der Psychoanalyse: der zeitgenössische Darwinismus, Psychologie im Geiste Johann Friedrich Herbarts, des Nachfolgers auf Kants Lehrstuhl in Königsberg, überraschend dann: Goethes Naturphilosophie und nicht zuletzt Nietzsche, dessen Einfluss Freud beharrlich verleugnet hat. In einem weiteren Themenkomplex geht es um Dissidenten und Kritiker wie Alfred Adler und Manès Sperber sowie um Heinz Politzers große, durch das Ende seines Lebens unvollendet gebliebene Monographie "Freud und das Tragische" mit einem Nachwort zur "un-tragischen Generation" der Post-68er. Zu Freuds Bemühungen um Biographik - seiner kanonischen biographischen Skizze zu Leonardo da Vinci - und seiner Auffassung von Literatur, den Ausführungen zu E.T.A. Hoffmann, wurde in der Vergangenheit schon viel gesagt. Hier werden in zwei Abhandlungen die Umrisse einer Metatheorie zur psychoanalytischen Biographie- und Literaturtheorie entwickelt. Schließlich stehen die Auseinandersetzungen Freuds mit Christian von Ehrenfels, dem Begründer der Gestalttheorie und eifernden Verfechter der Eugenik, im Fokus der Betrachtung - als Einleitung auch in die inhaltsreiche, bisher unveröffentlichte Korrespondenz zwischen den beiden Gelehrten, mit welcher der Band schließt.

Sigmund Freud – Beziehungen und Korrespondenzen

Women and the Poetics of Dissent in the English Revolution examines the aesthetic dimensions of female sectarian culture during the English Civil Wars and Interregnum. The topics covered here range from explorations of the formal aspects of women's street performance, petitioning, and political writings, to their fraught relationship with the metaphysical and devotional tradition.

Women and the Poetics of Dissent in the English Revolution examines the aesthetic dimensions of female sectarian culture during the English Civil Wars and Interregnum. The topics covered here range from explorations of the formal aspects of women's street performance, petitioning, and political writings, to their fraught relationship with the metaphysical and devotional tradition.

Women and the Poetics of Dissent in the English Revolution

Film Theory in Practice

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. This book provides a broad introduction to network theory and shows how this theory can motivate a close reading of Robert Altman's 1975 film Nashville. By offering a tour of the expansive intellectual network we can now call network theory, the book demonstrates how analyzing the ubiquitous characteristics of networks changes the way film fans, students, and scholars might understand cinema's storytelling possibilities. It models a method of interpretation (focusing on character, cinematography, and sound) that students can practice with other feature films. Moreover, it situates film within a larger discourse about art and society, offering students the tools for analyzing other large-form cultural objects. Organized into two parts, the first section of the book presents an overview of network theory, its various facets as a still-emerging discourse, and its historical context in post-industrial life, before turning to Altman's Nashville. It then explores the film's narrative style and character system as a special case of network cinema, to show how there is more than "connectedness" alone to the network form.

Network Theory and Nashville

The Early Modern Englishwoman, 1500-1750: Contemporary Editions

The full texts of both 1680 editions of Elizabeth Cary's History of Edward II are here reproduced completely, along with an extensive introduction including biographical, cultural, and literary commentary on Elizabeth Cary, and also background on the debate surrounding the texts' authorship. This volume will be of interest to literary scholars working on Early Modern women as well as to historians and queer theorists, both of whom have made Edward II an important intellectual site in the last generation of scholarship.

The full texts of both 1680 editions of Elizabeth Cary's History of Edward II are here reproduced completely, along with an extensive introduction including biographical, cultural, and literary commentary on Elizabeth Cary, and also background on the debate surrounding the texts' authorship. In the recovery of women writers of early modern England, Elizabeth Tanfield Cary, Viscountess Falkland, has drawn substantial interest. Swan examines the post-publication history of both 1680 editions, revealing how the many hands at work in various subsequent editions have resulted in the obfuscation of the textual history, which has, in the past, led to the misattribution of the history to Henry Cary, Elizabeth's husband.  The reproduction of both versions allows scholars to easily compare the two, which is important in order to understand Cary's reworking of her text from early to late drafts. Both versions represent intentions and socially received states which are useful in presenting the text, in documenting Cary's changing attitudes and discursive strategies in the mid-1620's-the period of composition for all the manuscript states and a period of particular biographical significance-and in accounting for the more recent reception of the history.   Swan showcases here how Cary contributes significantly both to the development of resistance theory (essential to democratic-republican ideals at the root of Anglo-American politics and government), and to the development of non-fiction prose style in English. This volume will be of interest to literary scholars working on Early Modern women as well as to historians and queer theorists, both of whom have made Edward II an important intellectual site in the last generation of scholarship.

A Critical Edition

Elizabeth Tanfield Cary’s History of Edward II

Daft Punk are one of the 21st century's most iconic music groups. After Daft is not only the story of their rise and legacy, but also the story of dance and electronic culture that spans the last thirty years.

From 1993 to 2021, Daft Punk were the world's most influential electronic group. But how much of the cultural landscape did they change, and how much changed around them? After Daft draws on new interviews with over 100 groundbreaking and commercially-dominant artists, creative teams, record labels and concert promoters to illustrate how dance &amp; electronic music transformed from a fringe concern to the indispensable pulse of 21st century culture. With extensive access to Daft Punk (Thomas Bangalter and Guy-Manuel de Homem-Christo)'s friends, collaborators, inner circle and disciples, After Daft will provide unprecedented insight into key events that gilded the group's legend. This includes their innovative Alive 2006-07 audiovisual tour, formative experiences with dance music's Black and Latin 'Teachers,' their Grammy-sweeping blockbuster LP Random Access Memories and the factors which precipitated their split in 2021. After Daft will simultaneously chronicle the A.D. era: A radical reshaping of the global entertainment industry over the past 30 years, in which DJing became a multibillion dollar business and the lines between rave, rock, hip-hop and radio-friendly pop dissolved. All this was in direct response to the wildfire popularity of Daft Punk, as well as a coterie of key musicians who worked with, were inspired by or otherwise orbited the robotic French duo. By detailing the broadened horizons of Millennial and Gen Z listeners, the hyper-online nature of fandom and the contentious minimizing of clubbing's pioneers, the book will authoritatively update the rich history of electro-music for a 2020s audience. In doing so, After Daft will take the reader through the journey of how Daft Punk became not just generational icons of the digital age, but one of the most visionary acts pop culture has ever known.

Daft Punk & The Rewiring of 21st Century Culture

After Daft

International Texts in Developmental Psychology

Global Perspectives

The Development of Ethnic Identity and Attitudes

Journalism for Science Democratisation in the Post-Truth Era

Science, News and the Public

Guides to Foreign Languages for Women (1537–1699)

Untitled O'Toole 2 of 2

Routledge Studies in Theology, Imagination and the Arts

The creative act, claims Nicolas Berdyaev, is a prefiguration of the end of the world. To what extent is fiction an exploration of the ultimate ends of humanity - of heaven, hell, death and judgement? And how do modern authors use the literary resources of eschatological imaginings in their storytelling? In this careful yet suggestive study, Greg Clarke explores the eschatological underpinnings of modern fiction. Drawing on the work of Ernst Bloch, Jurgen Moltmann, Jacques Derrida and Frank Kermode, Clarke outlines the way in which literature employs apocalyptic imagery, narrative structures and eschatological themes such as hope, glory, salvation and justice. Through a detailed study of the novels of pre-eminent Australian author Patrick White, a new eschatological approach to criticism emerges, where 'ultimate interests' become a reading lens and a key to understanding the creative impulse.

The creative act, claims Nicolas Berdyaev, is a prefiguration of the end of the world. To what extent is fiction an exploration of the ultimate ends of humanity - of heaven, hell, death and judgement? And how do modern authors use the literary resources of eschatological imaginings in their storytelling?  In this careful yet suggestive study, Greg Clarke explores the eschatological underpinnings of modern fiction. Drawing on the work of Ernst Bloch, Jurgen Moltmann, Jacques Derrida and Frank Kermode, Clarke outlines the way in which literature employs apocalyptic imagery, narrative structures and eschatological themes such as hope, glory, salvation and justice. Through a detailed study of the novels of pre-eminent Australian author Patrick White, a new eschatological approach to criticism emerges, where 'ultimate interests' become a reading lens and a key to understanding the creative impulse.

The Future of Patrick White

Eschatology, Apocalypse and Modern Fiction

Global Media

Sozomena

„Sozomena“ bedeutet auf Griechisch „Gerettetes“. Die Reihe widmet sich der Erschließung von Texten, die aus der griechischen und römischen Antike nur durch ausserordentliche Fund-Umstände erhalten geblieben sind - allen voran durch Papyri, von denen Tausende in Universitäten und Bibliotheken unentziffert vorhanden sind.Die Reihe soll hauptsächlich Texte edieren und interpretieren, aber auch die Methoden der Erschließung diskutieren. Verschiedene Buchtypen werden daher hier veröffentlicht: Texteditionen, Kommentare, Monographien und Sammelbände. Die Hauptsprache der Publikationen ist Englisch, daneben auch Deutsch und Italienisch.Herausgegeben werden die Sozomena von Alessandro Barchiesi (Harvard, MA), Robert Fowler (Bristol), Lucia Prauscello (Oxford) und Nigel Wilson (Oxford) im Namen der Herculaneum Society, die zur Förderung der Erschließung des wichtigsten Fundkomplexes antiker Papyri gegründet wurde: der Villa dei Papiri im Pompeji benachbarten antiken Herculaneum mit ihren zum Teil noch nicht ausgegrabenen Schätzen an Textrollen.

Marco Perale: Adespota Papyracea Hexametra Graeca (APHEX) / APHex II

The Power of Pop (Culture)

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