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"This is the second edition of the essential reference and guidebook for SuperCollider, a powerful, flexible, open-source, cross-platform audio programming language"--

Wilson S: The SuperCollider Book, second
edition

The SuperCollider Book, second edition

Foreword by James McCartney Introduction to the Second Edition, by Scott Wilson, David Cottle, and Nick Collins Part I: Tutorials 1 Beginner’s Tutorial, by David Cottle 2 The Unit Generator, by Joshua Parmenter 3 Composing with SuperCollider, by Scott Wilson and Julio d’Escriván 4 Ins and Outs, by Marije A. J. Baalman, Miguel Negrão, Stefan Kersten, and Till Bovermann Part II: Advanced Tutorials 5 Programming in SuperCollider, by Iannis Zannos 6 Events and Patterns, by Ron Kuivila 7 Just in Time Programming, by Julian Rohrhuber and Alberto de Campo 8 Object Modelling, by Alberto de Campo, Julian Rohrhuber, and Till Bovermann Part III: Editors and GUI 9 Installing, Setting Up and Running the SuperCollider IDE, by Norah Lorway 10 Alternative IDEs for SuperCollider, by Konstantinos Vasilakos 11 SuperCollider on Small Computers, by Matthew John Yee-King 12 The SuperCollider GUI Library, by Eli Fieldsteel IV Practical Applications 13 Sonification and Auditory Display in SuperCollider, by Alberto de Campo, Julian Rohrhuber, Katharina Vogt, and Till Bovermann 14 Spatialization with SuperCollider, by Marije A. J. Baalman and Scott Wilson 15 Machine Listening in SuperCollider, by Nick Collins 16 Microsound Alberto de Campo and Marcin Pietruszewski 17 Alternative Tunings with SuperCollider, by Fabrice Mogini 18 Non-Real Time Synthesis and Object Oriented Composition, by Brian Willkie and Joshua Parmenter 19 Stochastic and Deterministic Algorithms for Sound Synthesis and Composition, by Sergio Luque and Daniel Mayer Part V: Projects and Perspectives 20 Implementing New Language Syntax Using SuperCollider’s Pre-Processor, by James Harkins 21 Interface Investigations, by Thor Magnusson 22 SuperCollider in Japan, by Takeko Akamatsu 23 Dialects, Constraints, and Systems within Systems, by Julian Rohrhuber, Tom Hall, and Alberto de Campo 24 Artists’ Statements, from: Juan Gabriel Alzate Romero, Helene Hedsund, Patrick Hartono, Norah Lorway, Andrea Valle, Marianne Teixidó, Neil Cosgrove, Shelly Knotts, Juan Sebastián Lach, Mileece, Sam Pluta, Ann Warde, Anna Xambó Sedo, 25 Machine Learning in SuperCollider, by Chris Kiefer and Shelly Knotts 26 Notations and Score-Making, by Tom Hall, Newton Armstrong and Richard Hoadley 27 SCTweets: Character Matters, by Fellipe M. Martins VI Developer Topics 28 The SuperCollider Language Implementation, by Stefan Kersten 29 Writing Unit Generator Plug-ins, by Dan Stowell and Christof Ressi 30 Inside scsynth, by Ross Bencina Subject Index Code Index

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To write effective code and applications, software engineers and developers have to be able to frame user/customer needs effectively, capture program requirements and use cases, and then develop suitable software architecture and code to meet the need. Code Chronicles: The Art of Storytelling in Software helps readers write better software by teaching readers how to write stories in the context of software development. The book explains the roots of storytelling, clarifies that storytelling historically has been a very powerful tool used to pass along knowledge, presents where storytelling is already present implicitly in software development, discusses how to make it more effective, and finally present experiences in storytelling from software engineering and other scientific disciplines, to foster a full understanding of its power. The authors comprehensively present the pivotal role of storytelling in writing software, and they explain how to do it in a simple, hands-on approach, also taking advantage of clear case studies written by experts in the field.

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