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A revelatory look at the tumultuous life of a jazz legend and American cultural icon

A revelatory look at the tumultuous life of a jazz legend and American cultural icon

Alexander P: Bitter Crop / B

Bitter Crop

The Heartache and Triumph of Billie Holiday's Last Year

Planet Clash

Era-Defining Obituaries of Film Stars

The Times Lives Behind the Screen

A Life of Leibniz in Seven Pivotal Days

The Best of All Possible Worlds

With exclusive band interviews and over a decade of deep research, in The Book of ABBA, renowned music journalist Jan Gradvall explores the secret to ABBA's success.

'Almost as miraculous as the songs it exists to celebrate.' PETE PAPHIDES 'The only ABBA book that the world will ever need.' TONY PARSONS 'Writing perfection on musical perfection: book heaven.' CAITLIN MORAN Through exclusive interviews and over a decade of deep research, renowned music journalist Jan Gradvall explores the secrets to ABBA's success. More than half a century after their songs were recorded, ABBA still make people the world over dance and sing their hearts out. After interviewing the four members for an article in 2013 - at which time the band had not been interviewed for over thirty years - Jan Gradvall was granted unique access to them for the next decade. In The Book of ABBA, the band share their thoughts and opinions more openly than ever before, while Jan reveals the context in which their sound developed - and shows how the story of ABBA is also the story of Sweden and the globalisation of pop culture. From their chart-topping ABBA Voyage - their first album in forty years - to the two-million-ticket-selling concert-experience of the same name, it is undeniable that, in the history of pop culture and music, there has never been a group like ABBA. With remarkable intimacy, Gradvall's book brings readers closer than ever to one of the world's most notoriously private music icons.

Melancholy Undercover

The Book of ABBA

On Elton John offers a lively, provocative, and imaginative new way to explore the career and music of Elton John within the contexts both of other artists from David Bowie to Britney Spears and of sweeping shifts in popular culture during Sir Elton's lifetime. A must-have for fans, the book will appeal to a wide range of readers interested in music history, popular culture, and the social issues of our era.

An Opinionated Guide

On Elton John

Culture journalist and broadcaster Kate Hutchinson takes us back to the early noughties and the heyday of indie music in the UK. With interviews from all the periods most important players, Hutchinson offers a nostalgic romp through the music of The Arctic Monkeys, Kaiser Chiefs, Franz Ferdinand, Kasabian and The Last Shadow Puppets.

Culture journalist and broadcaster Kate Hutchinson takes us back to the early noughties and the heyday of indie music in the UK. With interviews from all the periods most important players, Hutchinson offers a nostalgic romp through the music of The Arctic Monkeys, Kaiser Chiefs, Franz Ferdinand, Kasabian and The Last Shadow Puppets.

I Bet That You Look Good on the Dancefloor

What The Artist Saw

See the world through Henri Matisse's eyes and be inspired to produce your own masterpieces. Have you ever wondered exactly what your favourite artists were looking at to make them draw, sculpt, or paint the way they did? In this charming illustrated series of books to keep and collect, you can see what they saw, and be inspired to create your own artworks, too. In What the Artist Saw: Henri Matisse, meet the famous French painter and printmaker. In this series, follow the artists' stories and find intriguing facts about their environments and key masterpieces. Then see what you can see and make your own art. Take a closer look at landscapes, or even yourself, with Vincent van Gogh. Try crafting a story in fabric like Faith Ringgold, or carve a woodblock print at home with Hokusai. Every book in this series is one to treasure and keep - perfect for budding young artists to explore exhibitions with, then continue their own artistic journeys.

See the world through Henri Matisse’s eyes and be inspired to produce your own masterpieces. Have you ever wondered exactly what your favourite artists were looking at to make them draw, sculpt, or paint the way they did? In this charming illustrated series of books to keep and collect, you can see what they saw, and be inspired to create your own artworks, too. In What the Artist Saw: Henri Matisse, meet the famous French painter and printmaker. In this series, follow the artists’ stories and find intriguing facts about their environments and key masterpieces. Then see what you can see and make your own art. Take a closer look at landscapes, or even yourself, with Vincent van Gogh. Try crafting a story in fabric like Faith Ringgold, or carve a woodblock print at home with Hokusai. Every book in this series is one to treasure and keep – perfect for budding young artists to explore exhibitions with, then continue their own artistic journeys.

What the Artist Saw Henri Matisse

Transnational Studies in Jazz

Jazz and the Digital Revolution: GNP Records captures a transformative time in music history, the period in which digital culture took hold in the production, distribution and consumption of jazz. At the forefront of this epoch was the jazz-fusion label, GRP Records. Founded in the 1990s, GRP was Billboard magazine's number one contemporary jazz label. It had organised its recording, marketing and distribution practices around a full-scale digital philosophy, embodying the notion of jazz as a lifestyle brand. This books makes a case study of GRP Records in order to explore the relationship between jazz and digital culture, how this confluence gave rise to the 'smooth jazz' format, and how the industry negotiated cultural and technological shifts.

Jazz and the Digital Revolution: GNP Records captures a transformative time in music history, the period in which digital culture took hold in the production, distribution and consumption of jazz. At the forefront of this epoch was the jazz-fusion label, GRP Records. Founded in the 1990s, GRP was Billboard magazine's number one contemporary jazz label. It had organised its recording, marketing and distribution practices around a full-scale digital philosophy, embodying the notion of jazz as a lifestyle brand. This books makes a case study of GRP Records in order to explore the relationship between jazz and digital culture, how this confluence gave rise to the 'smooth jazz' format, and how the industry negotiated cultural and technological shifts.

GRP Records

Jazz and the Digital Revolution

Musicians in the Time of Stalin

The Sound of Utopia

Discover John Kander and Fred Ebb, the most artistically and commercially successful musical theatre writing team since Rodgers and Hammerstein, in a brand new way. Identifying the theatrical approach that renders their musical dramaturgy unique, this book explores their importance within, and contribution to, musical theatre history. Through their biggest hits, Cabaret (1966) and Chicago (1975), Kander and Ebb have been performed on the stage more times both within and outside of the USA than any other American musical theatre writers. Unlike Sondheim, whose work from 1964 increasingly aspired towards the avant-garde. Kander and Ebb located their projects in a nexus between art and commercial entertainment, seeking to deconstruct popular forms in order to expose their ideological function. This book investigates the full range of Kander and Ebb's collaboration from the pure comic entertainment of 70, Girls, 70 (1971) and Curtains (2006) to more overtly serious musicals such as The Kiss of the Spiderwoman (1992), The Scottsboro Boys (2010) and The Visit (2014), which were less commercially successful precisely because they addressed disturbing subjects. It explores how the difficult material inspired beautiful, though challenging, scores. It also probes how the ironic counterpointing of luscious music with witty and demotic lyrics makes complex demands of a Broadway audience, challenging its desire for escapist entertainment, devoid of critical self-reflection, to becomes complex, yet popular, masterpieces of the genre. This is the first volume to explicitly analyse the recurrent theatrical tropes and dramaturgical forms in Kander and Ebb's musicals, offering an in-depth introduction to their oeuvre.

Discover John Kander and Fred Ebb, the most artistically and commercially successful musical theatre writing team since Rodgers and Hammerstein, in a brand new way. Identifying the theatrical approach that renders their musical dramaturgy unique, this book explores their importance within, and contribution to, musical theatre history. Through their biggest hits, Cabaret (1966) and Chicago (1975), Kander and Ebb have been performed on the stage more times both within and outside of the USA than any other American musical theatre writers. Unlike Sondheim, whose work from 1964 increasingly aspired towards the avant-garde. Kander and Ebb located their projects in a nexus between art and commercial entertainment, seeking to deconstruct popular forms in order to expose their ideological function. This book investigates the full range of Kander and Ebb's collaboration from the pure comic entertainment of 70, Girls, 70 (1971) and Curtains (2006) to more overtly serious musicals such as The Kiss of the Spiderwoman (1992), The Scottsboro Boys (2010) and The Visit (2014), which were less commercially successful precisely because they addressed disturbing subjects. It explores how the difficult material inspired beautiful, though challenging, scores. It also probes how the ironic counterpointing of luscious music with witty and demotic lyrics makes complex demands of a Broadway audience, challenging its desire for escapist entertainment, devoid of critical self-reflection, to becomes complex, yet popular, masterpieces of the genre. This is the first volume to explicitly analyse the recurrent theatrical tropes and dramaturgical forms in Kander and Ebb's musicals, offering an in-depth introduction to their oeuvre.

The Theatre of Kander and Ebb

The prequel to the critically acclaimed and award-winning This is Memorial Device

Industry of Magic &amp; Light is a love letter to the counterculture of the 1960s and a requiem for its passing. The much-anticipated prequel to Keenan's cult classic debut, This is Memorial Device, Industry of Magic &amp; Light is set in the same mythical Airdrie in the 1960s and early 70s and centres on a group of hippies running their own psychedelic light show. Told in two halves - the first in the form of an inventory of the contents of a caravan abandoned by one of the hippies, the second in the form of a tarot card reading - it is not so much a book about the 1960s as a direct channelling of the decade's energies, bringing to life how even the smallest and dreariest of working class towns felt so full of possibility in the wake of the psychedelic moment. Via artefacts from the time - everything from poetry chapbooks, record reviews and musical instruments through bubblegum wrappers, bicycle repair kits and mysterious cassette recordings - the book opens out into adventures along the hippy trail in Afghanistan and behind the Iron Curtain that leads a cast of new and returning characters - as well as the authorities - to believe that they are literally making magic. Simultaneously a forensics of the 1960s, a detective novel, an occult thriller, a vision quest, and the hallucinatory exposition of a moment where it felt like anything was possible, Industry of Magic &amp; Life brings to life the streets of small working class towns as transformational sites of utopian joy.

Industry of Magic & Light

The first overview of music journalist Ralph J. Gleason, and a discussion of in what ways music journalists contribute to the people and music they write about.

Discover the enthralling world of Ralph J. Gleason, a pioneering music journalist who expanded the possibilities of the newspaper music column, sparked the San Francisco jazz and rock scenes, and co-founded Rolling Stone magazine. Gleason not only reported on but influenced the trajectory of popular music. He alone chronicled the unparalleled evolution of popular music from the 1930s into the 1970s, and while doing so, interviewed and befriended many trailblazers such as Miles Davis, Dizzy Gillespie, Bob Dylan, and the Beatles. A true iconoclast, he dismantled the barriers between popular and highbrow music, and barriers separating the musical genres. He played a crucial role in shaping postwar music criticism by covering all genres and analyzing music’s social, political, and historical meanings. This book uncovers never-before-seen letters, anecdotes, family accounts, and exclusive interviews to reveal one of the most intriguing personalities of the 20th century.

Dispatches from the Front

The Life and Writings of Ralph J. Gleason

Bitter Crop

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