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Scordato M: After the Realist Revolution

After the Realist Revolution

Judicial Lawmaking in an Age of Instrumentalist Common Law Jurisprudence

A thrilling follow-up to Felice and the Wailing Woman by Diana López that explores the Texas-Mexico border myth of the Dancing Devil. The magical town of Tres Leches, home to the figures of Texas–Mexico border lore, has been through a lot. Most recently, the town was released from a curse that kept La Llorona, the wailing woman, haunting the shores of their river. But just when the townsfolk were preparing to return to sunny riverside picnics and barbecues, the children of Tres Leches mysteriously began to go missing. The town suspects another monstruo, the Dancing Devil, is luring kids to &nbsp;El Camarón Dance Hall &amp; Arcade. The Dancing Devil’s son, Rooster, who has a foot in both the human and monster worlds, feels compelled to lead the search for the missing children with the help of his friends, Ava (the daughter of La Lechuza) and Felice (the daughter of La Llorona). Their journey takes them to an old gothic mansion with a twisted family history and a pull so powerful that it’s nearly impossible to resist. Picking up where Felice and the Wailing Woman left off, Rooster and the Dancing Diablo brims with magic, adventure, and Mexican folklore, and is perfect for fans of fantasy adventure series like Paola Santiago by&nbsp;Tehlor Kay Mejia&nbsp;and&nbsp;the Jumbies by Tracey Baptiste.

A thrilling follow-up to Felice and the Wailing Woman by Diana López that explores the Texas-Mexico border myth of the Dancing Devil. The magical town of Tres Leches, home to the figures of Texas–Mexico border lore, has been through a lot. Most recently, the town was released from a curse that kept La Llorona, the wailing woman, haunting the shores of their river. But just when the townsfolk were preparing to return to sunny riverside picnics and barbecues, the children of Tres Leches mysteriously began to go missing. The town suspects another monstruo, the Dancing Devil, is luring kids to &nbsp;El Camarón Dance Hall &amp; Arcade. The Dancing Devil’s son, Rooster, who has a foot in both the human and monster worlds, feels compelled to lead the search for the missing children with the help of his friends, Ava (the daughter of La Lechuza) and Felice (the daughter of La Llorona). Their journey takes them to an old gothic mansion with a twisted family history and a pull so powerful that it’s nearly impossible to resist. Picking up where Felice and the Wailing Woman left off, Rooster and the Dancing Diablo brims with magic, adventure, and Mexican folklore, and is perfect for fans of fantasy adventure series like Paola Santiago by&nbsp;Tehlor Kay Mejia&nbsp;and&nbsp;the Jumbies by Tracey Baptiste.

Los Monstruos: Rooster and the Dancing Diablo

Getting to the Heart of Conflict: A Framework for Constructive Conflict Engagement

Grim

Grim 3

Unionsverlag Taschenbücher

Ein Fall für die Navajo-Police

metro

Ein elegant gekleideter Toter wird in der Jicarilla Apache Reservation gefunden, am Rand eines Ölfeldes. Eigentlich der Zuständigkeitsbereich von Jim Chee, aber das FBI deklariert das Ganze als Jagdunfall und übernimmt die Ermittlungen. Leaphorn, im Ruhestand, vermutet dahinter nichts Geringeres als ein Verbrechen an der Navajo-Nation.

Ein elegant gekleideter Toter wird in der Jicarilla Apache Reservation gefunden, am Rand eines Ölfeldes. Eigentlich der Zuständigkeitsbereich von Jim Chee, aber das FBI deklariert das Ganze als Jagdunfall und übernimmt die Ermittlungen. Leaphorn, im Ruhestand, vermutet dahinter nichts Geringeres als ein Verbrechen an der Navajo Nation.

Kriminalroman. Ein Fall für die Navajo-Police (15)

Geheime Kanäle

Michael Mann Project 2

Liz Malone hat genug! Seit Jahren kämpft sie verzweifelt um die Akzeptanz ihres Vaters. Doch egal, wie hart sie in seiner Firma arbeitet - nichts ist ihm gut genug. Liz überlegt, dem Familienunternehmen den Rücken zu kehren. Bevor es dazu kommt, lädt ihr Vater die ganze Familie nach New Shoreham ein. Ihr Reisebegleiter auf dem Weg zur Atlantikküste ist kein anderer als der unnahbare Daniel. Eine Begegnung, die Liz nur zu gern vermieden hätte. Denn Daniel ist der Firmenliebling ihres Vaters und bekommt genau die Anerkennung, die Liz sich immer gewünscht hat. Doch obwohl er ihr größter Konkurrent ist, bringt er ihr Herz zum Stolpern. Und was sie dann auf der Insel erfährt, verändert alles. Liz ist gezwungen, sich ihren Gefühlen für Daniel zu stellen.

Liz Malone hat genug! Seit Jahren kämpft sie verzweifelt um die Akzeptanz ihres Vaters. Doch egal, wie hart sie in seiner Firma arbeitet - nichts ist ihm gut genug. Liz überlegt, dem Familienunternehmen den Rücken zu kehren. Bevor es dazu kommt, lädt ihr Vater die ganze Familie nach New Shoreham ein. Ihr Reisebegleiter auf dem Weg zur Atlantikküste ist kein anderer als der unnahbare Daniel. Eine Begegnung, die Liz nur zu gern vermieden hätte. Denn Daniel ist der Firmenliebling ihres Vaters und bekommt genau die Anerkennung, die Liz sich immer gewünscht hat. Doch obwohl er ihr größter Konkurrent ist, bringt er ihr Herz zum Stolpern. Und was sie dann auf der Insel erfährt, verändert alles. Liz ist gezwungen, sich ihren Gefühlen für Daniel zu stellen.

New Shoreham - Weit wie der Himmel

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. He argues that the novel as a character-driven genre emerged from philosophical and scientific thinking about consciousness and that James's canonization must be reexamined in the context of the philosophical, physiological, and biological discourses on which he drew in his theory and practice as a novelist.

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. Rawlings argues that the novel as a genre anchored in the representation of character emerged from philosophical and scientific thinking about consciousness and experience that begins in the late seventeenth century and encompasses two hundred years of traffic between Europe and America. His ambitious study explores the significance of American thinkers and their European antecedents, from Jonathan Edwards to Josiah Royce, aligning James's 1884 essay "The Art of Fiction" with contemporary thinking on consciousness and its dense, ramifying aetiology. By this point, Herbert Spencer had extended Darwin's evolutionary thinking into the social domain, disrupting ideas about consciousness as allied with the soul even as the fin-de-siècle enthusiasm for panpsychism and the paranormal made a last stand against the New Sciences. A major contention of Rawlings's book is that Henry James should not and cannot be isolated from the urgent need to rethink what seminal critics such as Ian Watt and Marthe Robert have said about the procession of the novel from prose fiction. James's canonization by the New Critics motivates Rawlings's reexamination of Walter Scott, Jane Austen, Susan Warner, and George Eliot, among others, in the context of the vast range of eighteenth- and nineteenth-century European and North American philosophical, physiological, and biological discourses on which James drew in his theory and practice as a novelist.

Henry James, Consciousness, and the Evolution of the Novel

Violence is increasing on many measures. As criminal justice and security interventions become more punitive, rising inequalities diminish the resources needed for resilience. When all governments proclaim the need to end violence, how can we make sense of this?
Sylvia Walby offers new ways to theorize violence, placing it at the centre of society, not the periphery, and rethinking the relationship between violence and security. Arguing for an integrated analysis of internal and external security within a theory of society, she shows how neoliberal transformations have led to the growth of violence. Understanding these changes requires gendering theories of the state, the economy and civil society. With securitization growing while welfare and the regulation of the economy shrink, Walby uses complexity science to investigate the contradictions in state responses.
Crucially, this book offers a way forward, drawing on inspirational practices and cutting-edge social theory, to better understand violence and the causes of its variations.

Violence is increasing on many measures. As criminal justice and security interventions become more punitive, rising inequalities diminish the resources needed for resilience. When all governments proclaim the need to end violence, how can we make sense of this?
Sylvia Walby offers new ways to theorize violence, placing it at the centre of society, not the periphery, and rethinking the relationship between violence and security. Arguing for an integrated analysis of internal and external security within a theory of society, she shows how neoliberal transformations have led to the growth of violence. Understanding these changes requires gendering theories of the state, the economy and civil society. With securitization growing while welfare and the regulation of the economy shrink, Walby uses complexity science to investigate the contradictions in state responses.
Crucially, this book offers a way forward, drawing on inspirational practices and cutting-edge social theory, to better understand violence and the causes of its variations.

Theorizing Violence

Children's Literature and Culture

This book reads Black childhood as represented in literature, social practice, political discourse, and action to argue that literary images of Black children and the construction of a radical tradition of children's literature are related strategies addressing the limitations of articulations of black personhood.

This book reads Black childhood as represented in literature, social practice, political discourse, and action to argue that literary images of Black children and the construction of a radical tradition of childrenâ€™s literature are related strategies addressing the limitations of articulations of black personhood.

The Literature and Politics of the Impossible

African American Children in American Political Life

Der junge Billy gerät in einen Überfall, bei dem ein verschollener Diamant wieder auftaucht. Um Billys Unschuld zu beweisen, muss Jim Chee weit in die Vergangenheit: Der Stein war zuletzt im Besitz eines Händlers, der vor Jahrzehnten im Grand Canyon umkam. Dort pflegt nun ein alter Mann einen Kult um Masaaw - den Wächter zur Unterwelt.

Der junge Billy gerät in einen Überfall, bei dem ein verschollener Diamant wieder auftaucht. Um Billys Unschuld zu beweisen, muss Jim Chee weit in die Vergangenheit: Der Stein war zuletzt im Besitz eines Händlers, der vor Jahrzehnten im Grand Canyon umkam. Dort pflegt nun ein alter Mann einen Kult um Masaaw – den Wächter zur Unterwelt.

Kriminalroman. Ein Fall für die Navajo-Police (16)

Knochenmann

Fault Lines

In this fully updated second edition of their masterful history, leading historians and best-selling authors Kevin M. Kruse and Julian E. Zelizer uncover the origins of our current moment, answering the question: When-and how-did America become so polarized? It all starts in 1974 with the Watergate crisis, the OPEC oil embargo, desegregation, busing riots in Boston, and the wind-down of the Vietnam War. What follows is the story of our own lifetimes. It's the story of ever-widening historical fault lines over economic inequality, race, gender, and sex norms firing up a polarized political landscape. It is also the story of the profound transformations of the media and our political system fueling the fire. The new edition includes a brand-new chapter, "American Carnage," on the Trump administration; a new epilogue on the Biden administration and the 2024 general election; and significant updates throughout.

A History of the United States Since 1974

From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving. Salted with intelligence and empathy' New York Times Book Review 'A page-turner' New Yorker 'Really shines' San Francisco Chronicle 'Gorgeous' Sebastian Junger ------------- Imagine a secret society which pairs you with your polar opposite. You meet regularly. What would you talk about? Could you become friends? Will is bookish, quiet, gay, manning AIDS helplines. Maxey is loud, a wrestler, a Jock, intent on a military life. But paired together - over dinner, beers, pool games - they forge an extraordinary and resilient bond. We Should Not Be Friends is an account of their odd-couple relationship, its ups and downs, twists and turns, the misunderstandings and the trust built over forty turbulent years. ------------- 'A rare view of male friendship . . . succeeds because Maxey comes across as a great character, a warm and devoted friend' NPR 'Schwalbe has an uncanny ability to use his personal experience as a springboard for universal truths' Los Angeles Times 'A charming read with plenty of surprises. Celebrates not only an unlikely friendship, but the strange turns a life can take' Wall Street Journal 'Schwalbe's memoir shines. Written like a true friend' Daily Mail

PRE-ORDER THE PAPERBACK NOW From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving' NEW YORK TIMES ''Schwalbe's memoir shines...Written like a true friend' DAILY MAIL ------------- in his last year of university, Will thought he knew everyone he cared to know. A per-haired, out gay young man, working at an AIDS helpline in the early days of the crisis, Will found community amongst the theatre students, artists and writers. He also knew who he wanted to avoid: the jocks. Wearing sporty clothes and moving in boisterous packs, the jocks seemed to be a different species entirely, one Will might encounter only at his own peril. All this changed dramatically when Will was brought into a secret society at Yale, aimed to bring together a group of opposites. On his first day, he was faced with Chris Maxey - a physically imposing, loud, star wrestler who seemed to be uncomfortable around Will and embodied everything he disliked and feared. But through months of mandated dinners, and many beers, the two swapped life-stories and forged an unexpected bond that became a ballast in each other's lives for forty years. A real-life The Breakfast Club story, We Should Not Be Friends is a testament to the miracle of human connection, if only we see past our differences.

The Story of An Unlikely Friendship

We Should Not Be Friends

After the Realist Revolution

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