This book develops an original theory of performative beauty. Philosophical aesthetics has largely neglected one's own actions as a potential experience of the beautiful. The author uses own experiences of Argentine tango as a case study; one important incentive for social dancing is to have pleasurable and beautiful experiences.
This book develops an original theory of performative beauty. Philosophical aesthetics has largely neglected one's own actions as a potential experience of the beautiful. The author uses own experiences of Argentine tango as a case study; one important incentive for social dancing is to have pleasurable and beautiful experiences.